The best Broadway songs are usually sung by women....
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#2
Posted: 5/24/14 at 4:21pm
I can't think of any songs sung by men on Broadway.
#3
Posted: 5/24/14 at 4:29pm
It is very true! For me, my favorite songs happen to be ones with a good belt! obviously all the women have those songs, but i alway think there a certain but very small number of good numbers sung by lads
#4
Posted: 5/24/14 at 4:50pm
The Impossible Dream.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
#5
Posted: 5/24/14 at 4:56pm
If I were a rich man
Luck Be a Lady
76 Trombones
Being Alive
Marry me a little
Epiphany ( Sweeney Todd)
One Song Glory
90 percent of the Jesus Christ Superstar score.
Corner of the sky
If Ever I would leave you.
Plenty of Iconic songs for men.
Luck Be a Lady
76 Trombones
Being Alive
Marry me a little
Epiphany ( Sweeney Todd)
One Song Glory
90 percent of the Jesus Christ Superstar score.
Corner of the sky
If Ever I would leave you.
Plenty of Iconic songs for men.
#7
Posted: 5/24/14 at 5:26pm
This Is The Moment
Poster Emeritus
#8
Posted: 5/24/14 at 5:40pm
The Pajama Game - Hey there
The Scottsboro Boys - Commencing In Chattanooga
Newsies - Santa Fe
Violet - Let It Sing
Bridges of Madison County - It All Fades Away
Kinky Boots - Soul of a Man
Book of Mormon - I Believe
La Cage Aux Folles - I Am What I Am
The Scottsboro Boys - Commencing In Chattanooga
Newsies - Santa Fe
Violet - Let It Sing
Bridges of Madison County - It All Fades Away
Kinky Boots - Soul of a Man
Book of Mormon - I Believe
La Cage Aux Folles - I Am What I Am
#9
Posted: 5/24/14 at 6:12pm
But none of those songs are iconic/famous in the mainstream, like Don't Cry For Me Argentina, I Dreamed a Dream, Defying Gravity, Memory, Don't Rain on My Parade, etc. People who aren't exactly Broadway fans are at least familiar with any of these songs.
#10
Posted: 5/24/14 at 6:30pm
The mainstream of theater lovers, right. Many of those songs are hugely famous, and very mainstream in the world of theater.
#11
Posted: 5/24/14 at 6:32pm
But none of those songs are iconic/famous in the mainstream, like Don't Cry For Me Argentina, I Dreamed a Dream, Defying Gravity, Memory, Don't Rain on My Parade, etc. People who aren't exactly Broadway fans are at least familiar with any of these songs.
I would say that The Impossible Dream, Soliloquy, Some Enchanted Evening, and Maria are all iconic/famous in the mainstream.
I would say that The Impossible Dream, Soliloquy, Some Enchanted Evening, and Maria are all iconic/famous in the mainstream.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
#12
Posted: 5/24/14 at 6:35pm
Ahem--Les Mis[z]-Bring Him Home ?
#13
Posted: 5/24/14 at 6:36pm
My Boy Bill and If I Loved you from Carousel. .
#14
Posted: 5/24/14 at 6:42pm
The Impossible dream isn't iconic or known in the main stream? Seriously?
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
#15
Posted: 5/24/14 at 6:44pm
Ol' Man River
Oh, What a Beautiful Mornin'
White Christmas
Almost Like Being in Love
I would argue each (with the possible exception of the last) are all more iconic than the five mentioned as "mainstream" famous songs.
Oh, What a Beautiful Mornin'
White Christmas
Almost Like Being in Love
I would argue each (with the possible exception of the last) are all more iconic than the five mentioned as "mainstream" famous songs.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#16
Posted: 5/24/14 at 6:45pm
Music of the Night was the first one to came to my mind. One Night in Bangkok was a radio hit.
But I think I agree that the songs that eventually go mainstream are more women's than men's.
But I think I agree that the songs that eventually go mainstream are more women's than men's.
#17
Posted: 5/24/14 at 6:47pm
"But I think I agree that the songs that eventually go mainstream are more women's than men's."
Exactly.
Exactly.
#18
Posted: 5/24/14 at 6:47pm
There are of course exceptions, but let's be honest, on the whole Broadwaystar4 is right. Plus the world of the Broadway musical has long been built on it's leading ladies. Usually the female performers are the powerhouse stars and divas.
I know, I know, you can all name well established male stars, but have they really had the same impact as Merman? Martin? Lupone? Lansbury? Menzel? Chenoweth? Foster?
I'm not saying it's a bad thing. But it's true. Arguing the point is a little ridiculous. There are some beautiful male songs, but very few get the attention of the big songs for women.
I know, I know, you can all name well established male stars, but have they really had the same impact as Merman? Martin? Lupone? Lansbury? Menzel? Chenoweth? Foster?
I'm not saying it's a bad thing. But it's true. Arguing the point is a little ridiculous. There are some beautiful male songs, but very few get the attention of the big songs for women.
#19
Posted: 5/24/14 at 6:48pm
Some Enchanted Evening.
Try to Remember. Oh, no one knows that one who isn't into Broadway!
There are plenty of mainstream Broadway hits sung by men.
Try to Remember. Oh, no one knows that one who isn't into Broadway!
There are plenty of mainstream Broadway hits sung by men.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
Updated On: 5/24/14 at 06:48 PM
#20
Posted: 5/24/14 at 6:52pm
Anthem
You Should Be Loved
Pity the Child
You Should Be Loved
Pity the Child
#21
Posted: 5/24/14 at 11:22pm
There are many, many exceptions after 150 years of Broadway musicals, as others have noted above. (And BTW, in their day, Eddie Cantor, Bert Lahr, Jimmy Durante and others drew just as well as Merman.)
But in broad terms, the OP has a point and I think it's a cultural thing: in Anglo-Saxon cultures women (and therefore female characters) are allowed a greater range of emotional expression. So it's more fun to write songs for female characters.
But in broad terms, the OP has a point and I think it's a cultural thing: in Anglo-Saxon cultures women (and therefore female characters) are allowed a greater range of emotional expression. So it's more fun to write songs for female characters.
#22
Posted: 5/24/14 at 11:49pm
I'm Alive
"Was uns befreit, das muss stärker sein als wir es sind." -Tanz der Vampire
#23
Posted: 5/24/14 at 11:57pm
"But in broad terms, the OP has a point and I think it's a cultural thing: in Anglo-Saxon cultures women (and therefore female characters) are allowed a greater range of emotional expression. So it's more fun to write songs for female characters. "
I've never thought about it like this, but that makes perfect sense. I agree!
I've never thought about it like this, but that makes perfect sense. I agree!
Give me claws and a hunch, just away from this bunch.
#24
Posted: 5/24/14 at 11:59pm
I know I'll get murdered for saying this but I think there are far better roles for women in the musical theatre than there are for men. Not complaining or saying it's unfair, just an observation. I have struggled a lot with some of the men I've played trying to flesh them out (a lot of one dimensional dudes, I played Captain Von Trapp once and he's about as aloof as hannibal lecter, and nearly not as fun), while the female roles seem very well developed or maybe I understand them more or something. Call me crazy...
Updated On: 5/25/14 at 11:59 PM
#25
Posted: 5/25/14 at 12:02am
Musical theater is, I think, the only entertainment medium where better roles are consistently written for women. It's slowly starting to shift in other genres.
Updated On: 5/25/14 at 12:02 AM
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