I think that, simply by defintion, song and dance should be used to move the story forward - the modern musical was defined by that, with Oklahoma!.
I guess it doesn't have to require dancing, but the songs should all move the action of the play forward, and really, only in those four (maybe six) shows does that happen in every song.
Don't get me wrong, a perfect musical isn't necessarily better than other musicals - much of Sondheim's work, and other pieces, some already mentioned, I enjoy more than a few of those "perfect" musicals, but as stand alone pieces - they don't always meet that hardcore definition. imo.
givesmevoice, a lot of people say that about "My Fair Lady", and there is much truth to that (hence why I hestitate to include My Fair Lady) but again, it doesn't necessarily have to be as good or better than Pygmalion to be defined as a textbook case of perfect musical theatre writing.
Updated On: 6/7/10 at 03:37 PM