Rashad was awfully good, if vocally thin. Peters was always Peters, I remember her performance feeling less original in the theater than it does on the DVD, where she scores more persuasively. I agree with Robbie -- Williams' problems in the show were directorial; in the same space, she burned up SPIDER WOMAN. I felt she was held back by Lapine, and was asked to trade on elegance and charm (which she has to spare) when some deeper character work would've enhanced. Except for her transformation moment, very sexy and almost orgasmic, you never saw her sweat -- but hey, a little sweat might've been good.
But does anyone else just think the part itself is a problem? Sondheim kept diddling with her final number "Last Midnight," to no avail. When I first saw the show in previews, there was an earlier version, "Boom Squish!" which didn't land. His revisions haven't made the number a show stopper, or even ... frankly ... clear. The character has all this heated summing up of motive and intention before she falls through a trap door, and we don't really get what she's so worked up about, do we? "I'm the witch, I'm the hitch, I'm what no one believes...etc." When you have to explain your symbols, you're in explication hell. The role remains strangely muted and hard to invest in. But I love the show, so go figure?
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 3/16/05 at 04:38 PM