Chose the ride this morning for a first listen.
Water for Elephants showed me a slightly darker and grittier shade of indie pop-folk, compared to last month's light, lush, and lovely The Notebook. Both scores sound full and full of riches though — PigPen might be our American theatrical equivalent of Mumford & Sons, with less prominent banjo. The guys fit in some other apt period genres throughout this varied score. Some zippy lyrics, too... "Yes, our lies are our pride / And our pride's in our lies / And the lions in our pride have got no teeth!"
Grant Gustin proves he is much more than a glossy star-casting choice with his Jacob, Izzy McCalla sounds wonderful — the haunting "Easy" is a highlight — and Paul Alexander Nolan can do no wrong. Shoutout to Stan Brown and Sara Gettelfinger as well, such pleasant surprises.
If I had a nickel for every time a new musical this season built a song out of the drive of a moving train, I would have two nickels — which isn't a lot, but it's weird that it happened twice.
With this show now up for best musical at the Tonys, I'm curious to see what they'll perform on the telecast. The propulsive "Anywhere"? The catchy foot-stomper "The Road Don't Make You Young"? "The Grand Spec," complete with the elephant reveal? Perhaps the zany "Zostań," a rousing ode to Polish commands?
This album has got me curious, along with the unlikely critical praise and 7 Tony nods. Might have to head on over to the Benzini big top soon to get the full picture with the staging, acrobatics, and circus tricks.
“I am furious, but I am sailing.”
Updated On: 5/17/24 at 11:33 AM