Boy you guys work quickly!
I found out about Compulsive Bowlers through Brian Gligor, actually, a while ago, and I had lurked there a little bit, but again, I wanted to join in when the discussion about the Rent movie began.
And yes, people do sometimes recognize me from Adventures in Babysitting, which is very funny to me. I mean, it was almost 18 YEARS ago that I made that film! And there are people expressing concern that I might not look young enough for the Rent movie.
But seriously, I'm flattered. I had a total blast making that movie, and I'm proud of it and all, but I'm surprised at the staying power it's had. When it came out in 1987, it wasn't that big a hit, but here it is all these years later and people still talk about it. A lot. I'm happy to be a part of so many projects that have made an impact like that. I consider myself very lucky in that regard.
I don't want to talk too specifically about the details of the screenplay, since it's not really my place to do that, and because things might change. But overall, I feel very confident that Chris will approach the material with care and heart and a good dose of humor when necessary. This is a show that profoundly affected him when he saw it, and he has passionately pursued the chance to get to make it. I have all the faith in the world that this will be his most ambitious and adult and complex and alive film yet.
As for the OBC not being used, I am sad for them, and I will certainly miss them. I am just happy there are at least some of us getting to be a part of it.
As for my thoughts on the movie originally, I just always hoped that when and if it got made it would be made well, with the right amount of passion and heart and artistry. plans have changed in that it was almost given the green light with Spike Lee at the helm a couple of years ago, but that fell through at the last minute. Somewhere along the way, Chris lobbied long and hard for it, and Miramax released the rights, which were briefly picked up by Warner Bros., who ultimately balked at making a film about AIDS and gay people, then it was almost done at NBC, which would have been a disaster. Finally, Joe Roth took it on board at his company Revolution, in part because his daughter is such a huge fan of the show.
And the rest of its history to come shall reveal itself in the fullness of time...