And Kinky, I REALLY think it's going to be Matilda. Kinky's score is great and fun, but some of the songs sound the same. And I'm actually listening to Matilda (School Song) right now and the music is more original, clever, and poetic. Like how Next 2 Normal won for Best Score over BE, which won Best Musical. The musical there is more beautiful and emotional
You haven't seen 'Kinky Boots', have you? It never ceases to amaze me how you (and others) are so eager to say one is superior when you haven't seen the other, but are simply basing your opinion on a recording (an opinion you were boasting before the first listen was even made available). I have little desire to see 'Matilda' and I find the recording subpar and extremely trite, but I am in no place to say Kinky will win over Matilda, merely because I do not like Matilda's recording.
That said, the 'Next to Normal' and 'Billy Elliot' year was probably the last time the best musical race got this heated, as others have stated. However, no one was putting out a campaign as strong/consistent as Kinky Boots. 'Billy Elliot' had great publicity before and really all through its run. 'Next to Normal' opened at a great time, and was beloved by the theatre community, but its boost came after the TONYS, not before, much different than Kinky Boots and Matilda.
'9 to 5' was running a very strong campaign and many people were focused on Dolly Parton and Elton John for Best Score; I'd even argue that although Best Musical was heated that year, it took a back burner to the Best Score race between '9 to 5' and 'Billy Elliot', even though 'Next to Normal' was a community favorite, and ultimately won. I'm sure many people here recall the camera shot of Dolly backstage right after the award was presented.
Formerly: WishingOnlyWounds2 - Broadway Legend - Joined: 9/25/08
Updated On: 5/25/13 at 11:21 PM