When Understudies Perform

I believe both of those things are true, yes. That's what I was told by a Broadway actor once, at least. It might change from contract to contract but I would expect it to be an equity rule.

I remember reading during the original 1970s-1980s run of A CHORUS LINE, understudies and swings were paid additional and a higher rate if the role was bigger that they were filling in for. It got to the point that they were making MORE money this way than if they were headlining in the role "on the line." No one wanted to be promoted to an "on the line" role as they made more money just understudying and swinging.

And get their own dresser when required.

Understudies and swings do NOT receive extra pay when going on for an ensemble member, but do get an extra 1/8 weekly salary per performance when going on for a principal role (principal roles are designated by Equity at the start of a show's run).

The cover will generally move to the regular actor's dressing spot unless their own space (they all have their own designated place to be) is more convenient.

Updated On: 1/20/16 at 11:39 AM

the scenarios during the original run of A Chorus Line actually caused AEA to change their rules. There would be times when certain u/s would perform a role for several months if an actor was injured in the show. In fact many u/s in A Chorus Line would refuse offers to get promoted to a role on the line because they would [typically] make more money as an understudy/swing/cut dancer. After ACL, an u/s can only perform the role up to three weeks at a time. The show would either need to find a temporary replacement, or the u/s would need a new contract until the injured actor returns.

sorano916 said: "If swings don't receive additional compensation when they go one in an ensemble role, do they if it's a split track? Or vice versa, when a single regular track is split into three tracks?

For example, in Les Mis, actor Joe Spieldenner is in the ensemble, with featured tracks of Grantaire & Bamatabois. When he's out, three different people are listed in those tracks: one for Grantaire, one for Bamatabois, and one for his ensemble (aka just "John Doe" is on for "Joseph Spieldenner".

All the helpful replies you're getting to your question are accurate. A swing or ensemble member covering an ensemble role does not get extra pay for going on. If three people cover one absent ensemble member's roles (for a particular performance), none of them get a bump. If one person goes on for all three of those (ensemble) roles, he still doesn't get a bump. Swings and ensemble members DO get (a little) extra pay every week for the duty of understudying an ensemble role. I think it's $15 a week, for every role you cover - whether or not you ever go on.

If they are contracted to do certain performances it most likely a negotiated fee over the minimum.

PThespian said: "So if I'm understanding correctly an alternate who performs an additional show receives their regular per show salary plus 1/8 assuming it's a principal role?

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If you're employed as the "alternate" Christine in Phantom, and you're contracted to perform the role twice a week [I can't remember now whether the alternate Christine does two shows a week, or just one], then you don't get any extra for doing those two shows. But if you do additional shows in the week, yes, you get a salary "bump". The Production contract sets the additional compensation as 1/8th of your weekly salary per performance. [I believe that's correct; it may actually be 1/8th of the Production Contract minimum weekly salary.] But it is possible for an actress's agent to negotiate a set per-performance rate that is higher than 1/8th of your weekly salary. If the Hamilton alternate goes on for the title role more than he's scheduled in a week, I wouldn't be surprised if he gets a bump that's bigger than an 8th. But doubling your pay for a night ain't shabby either.

I wonder how much they paid Donna Mckechnie to stand by for Chita in The Visit. It's the only case I can think of at the moment of a high-profile standby.

He's basically a standby. He's been on for three different principal roles now. That seems rare, no?

neonlightsxo said: "He's basically a standby. He's been on for three different principal roles now. That seems rare, no?"

He's a swing who also understudies principle roles, so not really a standby.

LizzieCurry said: "neonlightsxo said: "He's basically a standby. He's been on for three different principal roles now. That seems rare, no?"

He's a swing who also understudies principle roles, so not really a standby."

I know the difference, but thanks anyway? The only ensemble member he covers is Sydney Harcourt, so I stand by what I said.

Hellob said: "slumdogdelaware said: "Saw Chappelle last night as Lafayette/Jefferson. He was amazing.

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Have you gone before? I always feel like I'd be so bummed in Leslie or Daveed were out bc they seem irreplaceable, but it's great to hear your thoughts. I can imagine him being good as Jefferson since it's a showier performance and he appears to be a ham (in a good way)

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It was my first time and I was pretty disappointed Daveed was out, but Andrew Chappelle brings a lot to the performance. He's very much a ham haha. I would like to see it again eventually with Daveed though.