Littlefish, I love this thread too...
Elphaba, the ideals of the characters in RENT always confused me. As a person who would like to work as a creative artist for a living, it is my dream to get paid to do this so that I can more easily bring my ideas to the table, rather than wasting my time setting tables for yuppie 50 year old women or stacking stock rooms. While I am not necessarily saying I need to make millions of dollars doing this (although I won't say it wouldn't be nice) it would be nice to be able to support myself doing what I want to do. Mark had this opportunity, and he wastes it, and here's my little essay(these seem to be becoming routine... I swear I'm trying to edit myself) on why RENT needed way more development:
Not only are Mark and Roger unrealistically lucky (having their RENT foregone for a year? IN THE EAST VILLAGE? Jesus, even in the late 80s NY, what a dream) they also don't really seem to do much of anything. Mark walks around video taping things for some reason (according to one review he doesn't manipulate his video camera correctly :P Not that I would know) and Roger is working on the same bad song. Artistic ideals aside, they are deadbeats. Even at the end of the story, Collins rewires a machine to provide free money to people. Free money? Wait, why didn't Collins get caught on a video camera and thrown in jail?
When Mark is offered to get his messages out to a broader population, without ever there being any indication that it would edited, he denies it. There's never even a dramatic question of him selling out. In fact, he DOES get a controversial message out. They WANTED him to do put controversial issues on t.v., if you're following the story closely, which it seems to me is just what he wanted to do. There are plenty of people who have found commercial success by being challenging and subversive.
I think in these respects RENT is actually a story about people who turned down their dreams for bohemian ideals, the bohemian ideal being that art is wholly personal, and then a year later they realized that was a stupid idea. Roger sings a whole song about it, One Song Glory. Roger wasted his chance at being a rock star presumably because of drugs and then depression because he contracted AIDs, although it's never directly explained, and Mark his chance at working in film and television for some vague ideal (to make a documentary? What? About what? AIDs?). Roger redeems himself by finding love, but Mark never finds that thing, he is the outsider who observes, which is the most dramatically genius part of the story.
What I'm saying is that RENT is full of a lot of dramatic choices that happen without reason. A musical allows for these sorts of things because nobody really expects realistic character development (although I think lots of musicals are a lot more solid than this one is). But you can really hear the god in the machine turning in this show sometimes. That's what makes me so sad. I don't think RENT is a genius show. It feels like an early draft of a show. He took another story and then put a lot of other things on it. I think Larson had a lot of potential as a writer and composer and he had great things in his future. I just think if he had lived to harness both the heart of RENT and the dramatic ingenuity and daring he had the potential for, he could have made something truly artistically genius. And I get sad when I think about that.
But to encourage actual discussion, feel free to refute what I say... it's possible I've missed something in the story, perhaps that one of the characters says... I've seen it on stage twice and the movie once and listened to it countless times, so perhaps there is a problem with the actual storytelling? :P
yr ronin,
joey