Posted: 8/6/16 at 9:45pm
Anyone remember The Story of My Life? It was a musical that opened on Broadway in 2009 and closed after only 5 performances. Why did it fail so bad? I mean, it wasn't genius, it left a little to be desired, but it didn't look "5 performances" bad.
Posted: 8/6/16 at 9:55pm
I personally LOVE this show, but I was first exposed to it in a small regional theatre setting, and subsequently the cast album. I cried like a baby when I saw it live, and only continued to fall in love with the show after repeated listens to the score.
Having said all that, I can see why it failed. It was much too small a show for Broadway. I've seen photos and videos from Broadway and they just seem so swallowed up by the rather uninspired set. There was also very little to draw in audiences, particularly the tourist crowds. And, despite my love for it, I fully admit it's a flawed show. I am a bit surprised that it closed as quickly as it did, but not surprised that it failed.
Posted: 8/6/16 at 10:05pm
I saw this show four times (three times in previews and the final performance) and really enjoyed. It came into town without any fanfare and left with a whisper. There wasn't a lick of advertising and they might have spent all of $10 on the set. Even at the Booth it felt outsized by its surroundings.
Still, the performances were very good and the score had some nice moments. It's not an inspired score by any means, but a cut above some of the clunkers that have paraded through town since. The Butterfly in particular was a nice moment for Chase off and the final sequence was moving; the It's a Wondeful Life metaphors were labored, but I forgave them as they made me weepy regardless!
At least it was recorded though- more than we can say for Shuffle Along and American Psycho!
Posted: 8/6/16 at 10:08pm
It was a touching, affecting show that definitely belonged in a cozy Off-Broadway theater, although the smallish Booth was about as close to ideal for a B'way venue.
What I remember most is lots of white set pieces, and a eulogy for a great friend, one who envied the other's home life with a caring father. Some of the major themes explored the essence of inspiration and creativity, what success means, and friendship. I also remember fantastic, emotional performances by Will Chase and Malcolm Gets. I was very glad I caught it during its very brief run.
Posted: 8/6/16 at 10:38pm
I'm surprised it isn't done more regionally. Super easy show to produce.
Will Chase won me over in it and I've been a huge fan of his since.
Posted: 8/6/16 at 10:56pm
"it left a little to be desired, but it didn't look "5 performances" bad."
To me, it not only looked five-performances bad, but bad five-performances bad --- as I've seen good five-performance shows. This was definitely not one of them.
The show was overpoweringly dull, with dreary, lifeless songs. I remember one particularly painful one dealing with a butterfly.
Posted: 8/6/16 at 11:05pm
I hate that I agree with A8, but I found every aspect of this show to be dreadful.
Posted: 8/7/16 at 2:21am
Lord, I found it insufferable. I just wanted to run out of the theater screaming. Sadly I was landlocked in the middle of a row and couldn't escape. 90 minutes of my life, which felt twice as long, that I still want back.
Posted: 8/7/16 at 3:03am
I got a comp to the opening night of this from a very nice fellow poster on the boards and I wish to God I had never gone. Agree with dramamama. Absolutely insufferable. Just schlock for schlock's sake. An embarrassingly bad score, amateurish book, and ugly design. Not even saved by the performances from two otherwise very good actors. No idea how it got to Broadway in the first place, but, for the sake of the producers and talent involved, I wish it had stayed far away.
Posted: 8/7/16 at 1:36pm
Not only did it fast fail on B'way it failed dismally in a regional Chicago production in 2010-2011 with Jack Noseworthy in one of the leads
Posted: 8/7/16 at 2:52pm
Posted: 8/7/16 at 3:03pm
perfectliar said: "Will Chase's original understudy, Jim Stanek"
I believe Stanek was Malcolm Gets' understudy. Bradley Dean was Will Chase's. I would have loved to see both or either of them in those roles.
Posted: 8/7/16 at 3:57pm
You're right. He played Chase's part in this production but had understudied Gets on Broadway.
Posted: 8/7/16 at 3:57pm
You're right. He played Chase's part in this production but had understudied Gets on Broadway.
Posted: 8/7/16 at 4:27pm
Jim Stanek did a production of it at 4th Wall Theatre in New Jersey a few years ago. It was actually wonderful in a smaller setting. Photos from that production.
