Kazee has been doing concerts, and I believe was at 54 Below. This was after his time in Once was over. If that's the case, then I don't think that his vocal injury was as bad as some in this thread are making it out to be. Yes, Glen Hansard's songs are very range-y and not easy to sing. Considering that Kazee did the show off Broadway and then Broadway for awhile, it wouldn't surprise me that his voice gave out after all that time.
Fun Once tidbit, speaking of the songs being hard to sing, Glen Hansard wasn't originally slated to act in the film, he was, however brought on to write the songs. However, when the actor they originally cast as Guy couldn't sing the songs correctly, they had Hansard play the part.
Yeah. He still does concerts and all that, but I read in an interview last year that the Broadway, eight shows a week schedule was too much for his voice after the injury, and he was at risk of hemorrhaging a vocal cord.
What about Levi Kreis for Million Dollar Quartet? I just read about him on Wikipedia but I don't think he's been back to Broadway since? It's only been 4 years since, but still.
Levi Kreis kind of came out of nowhere and won the Tony in 2010, then virtually disappeared from the Theatre scene until he appeared again this year as a replacement in Violet.
John Lloyd Young (other than return engagements as Frankie Valli)
"Grease," the fourth revival of the season, is the worst show in the history of theater and represents an unparalleled assault on Western civilization and its values. - Michael Reidel
Stephanie D'Abruzzo, though she has not performed on Broadway since Avenue Q, has done theatrical work elsewhere. She also is a puppeteer on Sesame Street, so I imagine that's her primary work at the moment.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Stephanie D'Abruzzo (yes, I know she didn't win) works constantly. So does Heather Headley...she does exactly what she wants to do.
Threads like this make me wonder if some posters really understand what it's like to live the life of an actor. There are about ten people who jump from one Broadway show to the next; the rest of the industry can spend years in between doing good solid work across the country/around the world. Or pop up on TV/in movies in small roles that pay the equivalent of a month's Broadway salary. Such is the life of an actor.
Oh, and those TV and film roles have the power to raise an actor's profile and make them more of a hot commodity in the theatre. I promise that Headley, Ramirez, and several others mentioned in this thread have turned down a lot of Broadway jobs to keep doing what they're doing.
but I read in an interview last year that the Broadway, eight shows a week schedule was too much for his voice after the injury, and he was at risk of hemorrhaging a vocal cord.
This is a case of selective reading. Take a look at the quote, particularly the bolded portion:
Ultimately, I could have vocally done the show, but I really would have run the risk of doing serious damage, doing that particular role eight times a week. I did it for a year and a half and had zero vocal problems. It just so happens that it's a muscle like everything else and it gets tired and overworked.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body