Broadway Legend Joined: 8/10/03
Absolutely.
Understudy Joined: 1/24/04
she would make a WONDERFUL mable. i love that musical, and i love sutton. hope that happens.
I love Sutton Foster
That would be great. Sutton Foster is amazing.
Being a fan of M & M, I welcome any idea which would result in its revival
Broadway Legend Joined: 5/16/03
Not in the least. Mabel Normand, as portrayed in the musical, projects qualities such as vulnerability, pathos and, ultimately, abject dependency. There is nothing remotely fragile about the coltish Ms. Foster in temperament or type.
Broadway Legend Joined: 8/10/03
It's called acting...
Broadway Legend Joined: 5/16/03
Then Harvey Fierstein can play Billy Bigelow, right?
Type and persona matter.
Updated On: 1/25/05 at 09:46 PM
Broadway Legend Joined: 8/10/03
Agreed, but I don't think that we should let type casting rule. I don't think it would be too much of a stretch for Sutton to play Mabel.
I'm sure she'd be great, but I'd much rather see her as the title role in Peter Pan. She has the perfect voice, movements, freshness, tomboyishness, presence and youth for the role.
I honestly believe that Sutton Foster could play nearly any role.
ESPECIALLY Mabel.
They really do need to revive Mack and Mabel.
I don't even think they need to update the script that much. I doubt the old one would flop with audiences today.
That said, who is still in awe of the wonderful- ness of Bernadette and ROBERT PRESTON on the OBC? sigh....
Broadway Legend Joined: 8/10/03
The OBC is fantastic. My favorite Jerry Herman score.
Mine too!
"Look what happened to Mabel!!!"
Broadway Legend Joined: 8/10/03
Jerry's favorite too.
Broadway Legend Joined: 5/16/03
"I doubt the old one would flop...today..." For heaven's sake, if its old-fashioned script couldn't find an audience with the likes of Preston and Peters thirty years ago, what makes you think it would fly today?? They just did the revised script at Goodspeed, and, great score nothwithstanding, the show, like several other constantly revised properties such as THE BAKER'S WIFE and MERRILY WE ROLL ALONG, simply doesn't work. Period. It would take star-wattage of an incandescent sort to get this show back into NYC. And as hard-working as she may be, Foster is not a star (she was shown off to as good advantage in TMM as she ever will be). However, she is certainly more appropriate type-wise for Peter Pan than Mabel Normand. Updated On: 1/26/05 at 01:11 AM
Musicals with darker endings have succeeded in New York and elsewhere more and more often since '74, have they not? Audiences are more open to accept unconventional endings, especially in smaller, more intimate venues. Floyd Collins, anyone?
I'm sure that with the right direction, the right venue, the right cast, and the right producers, the original script could find an appreciative audience.
And by the way, I do not mean a COMPLETELY un- revised script. I only mean one that preserves the original ending in its entirety.
Broadway Legend Joined: 5/16/03
Since FLOYD COLLINS has failed to find an audience in any venue, intimate or large, it's hardly an example of a crowd-pleasing "dark" show. Better to look to SHOWBOAT or CABARET or EVITA or WEST SIDE STORY for shows with unconventional endings that work.
But the downbeat ending of MACK AND MABEL is the least of its problems. For a show dealing with slapstick and comedy, there are mighty few yocks in the script; the romance is paper-thin and barely delineated; situations like Mabel disrupting the film shoot are contrived and cliched; and by the time she succumbs to her addictions, there is nothing left for the character to do (and the actress to play) but look sad.
You'd need to throw the whole thing out and start from scratch and that seems unlikely at this point.
CurtainUp...Sutton as Peter Pan?! She's huge!
Broadway Legend Joined: 2/20/04
She's tall enough to be your mother... Goliath!
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