@wickedfan: The reason I admire Assassins so much is that it examines a side of these personages that our collective history has shunted aside. To be fair, the song brilliantly evokes the feelings of collective grief and it firmly attaches a moral weight to the characters’ actions without seeming heavy-handed. However, at least to me, that moral weight hangs over the entire show and it’s most effective when the audience has to confront the fact that they’re being asked to examine the actions and motivations of people whose actions caused such tremendous collective pain. Both times I’ve seen the show and every time I listen to the cast albums, I’m never able to forget that I’m laughing and empathizing (though not sympathizing, I should add before I completely creep you out) with people who committed - or attempted to commit - heinous acts of political violence. The song stops the show cold to remind us of sentiments that are so firmly ingrained in public discourse that they should go without saying. It's an overt concession to the audience and a return to familiar territory in a show that, when done right, is anything but.
And I haven’t heard Bounce, but the version of “The Best Thing That Has Ever Happened” in Road Show is my favorite Sondheim song since No One Is Alone.
Updated On: 6/26/10 at 05:58 PM