Profile for witchoftheeast2

Observation said: "Just did a google search and found they recouped in 2021, can't say I'm surprised given the small cast and weekly running costs can't be too much.

If this were to close, I'd say it had a very healthy run, something everyone should be very proud of. Wondering if maybe if those who wanted to see this have seen it by now whether in NYC or at a tour stop near them. Would an off-broadway transfer make sense? Or just continue running those tour

kdogg36 said: "Mary_Poppins said: "No, kdogg36 clearly said: "The authors should get paid before anyone else, including the cast".

It was wrong of me to imply that the cast is not as important as the writers. I apologize for that.

With that out of the way - do you not think it is absolutely crazy that Broadway producers sometimes (often, it seems) expect writers to work for free?"

I think it's more cr

darquegk said: "I've said before, I'd like to see this show be successful. But if I were a big producer instead of an out of town small fry, I'd be wary: if shows often make back some of their money on the road or in licensing, how do you tour or license a show so dependent on a high-intensity special effect like this? Will regionals and schools still want to pay up to do Paddington when it's a high school freshman in a hat with ears, instead of a three-person animatr

ErmengardeStopSniveling said: "Call_me_jorge said: "There’s some major commercial producers behind the Ragtimerevival, aside from LCT. I’d bet they would love to tour this."

Yes, and a tour and/or London production is basically the only way they could make some real money, since they'll just earn a royalty from the New York production. So I think a tour is almost certain...a good booker should have no trouble getting them at leas

n2nbaby said: "Ensemble17701165943 said: "For those who have had the experience, how do you work on a show that is critically panned by critics? Or for a show where you know in your heart of hearts, this isn't very good ..."

Jess, at least you have Vosk on the Street. You’re incredibly talented (one of the best we have on Broadway, as far as I’m concerned) and you’ll bounce back quickly."

I'm confused as to why

iluvtheatertrash said: "Jordan Catalano said: "There’s a sign in the lobby now that says

“IT'S LIVE THEATER,

NOT A MOVIE

SO LISTEN CLOSELY

KEEP CONTROL

AND ENJOY THE SHOW

…OR ELSE!”



and I just don’t know how to feel about this."

This is really ridiculous, IMO. Why do a show that has a callout culture ingrained in it that you don'

Ptero2 said: "witchoftheeast2 said: "Ptero2 said: "Amber Iman seemingly playing the Vincent Cassel role is interesting. Also, surprised to not see Robyn Hurder here."

Robyn Hurder did not for a second cross my mind for this show. But Amber Iman is throwing me off. Vincent Cassel was obviously a huge part of the movie. I wonder how they'll spin this."

Robyn was involved in the workshops and had posted some IG stories abou