Kad said: "I still find it odd they’re not clearly marketing this as part one of two."
Help me understand your thought process here. To me, there’s no reason to mention it. The built-in mega-audience comprised of those wanting to share the movie with their kids after having first experienced the musical as tweens and Ariana Grande’s seventy gazillion social media followers are going to see the film regardless and likely already
I think about this thread often because I live in Houston and our real feel summer temperatures hover in the neighborhood of 110. It's hot as hell (and at the moment most of us don't have electricity after the storm, but that's a topic for another thread). People tend to dress more conservatively at the big theaters that support touring shows than they do in New York. That said, there is a sizable contingency, myself included, that wear shorts or whatever else it takes to be
JSquared2 said: "So you're saying that Broadway shows that are performing on the Tonys should bring in ‘ringers’ to deceive the viewers about what they'll actually be seeing in the theater? Should they have Alicia Keys do the HK number?"
I know you’re kidding, but there’s certainly precedent to your hypothetical … e.g., Dolly Parton (9 to 5), Elton John (Billy Elliot), Poison (Rock of Ages), Sara Bareilles (Wait
SkidRow82 said: "You Walk with Me - The Full Monty"
Seconded. The song works on so many different levels. My favorite performance was at a gay wedding. In a church. Surrounded by supportive friends and family. Everyone there felt the song spoke directly to them.
Check the Theatr app early and often every day. I've noticed several last minute Merrily tickets available due to the crazy weather conditions in the south shutting down airports and canceling flights. Theatr app rules stipulate that tickets can be sold for no more than face value (to which they tack on a reasonable fee) so there's the potential to stumble on one at an affordable price.
I'm glad I saw this. It lived up to the expectations I had from reading this thread and other social media posts. I thought the characters were clearly defined and deftly performed. I can justify its many Tony nominations.
That said, I wouldn't be comfortable recommending it to anyone without qualifications. During the first half I had the sense that people were squirming in their seats and looking for a clock. In my party of four, two left at intermission because of some varia
I was there last night as well. I thought it was a powerful production with several memorable performances, enjoyable and occasionally thrilling choreography, and a strong score, that was let down by a weak script. There were too many plot points that felt either cringey or false. I don't want to fill the thread with spoilers, so I'll focus on the one I can't get past.
djoko84 said: "I would 100% read the journal they give out in the Playbill before the show. It definitely helps set up what you're about to see. The ironic thing is Cabaret tells you to come early for the pre-show entertainment, which I couldn't care less about, but you really should go early to Illinoise to have time to read the journal."
Is there a copy of the journal available online? I’d love to digest it before heading to the th
ColorTheHours048 said: "I think the producers of this show are pricing more goodseats at affordable rates, which is smart of them. Wish more shows had cheap seats in actually solid seating locations like this one does."
Appreciate the quick reply, and thankful for great seats at a very reasonable price!
