Profile for jasmiinda

I'm seeing it on Sunday, but people are already saying good things about it on Reddit. Someone also stated that the house manager told them act 1 is an hour and 10 and act 2 is 50 minutes.

quizking101 said: "jasmiinda said: "Is this show doing signed windows cards for BCEFA or no?"I don’t believe so. They just opened this week so I can’t imagine they have had the time to gather and sign windowcards. I’m here for the matinee so I’ll check back."I figured, but I wasnt sure. Thanks

Is this show doing signed windows cards for BCEFA or no?

I disagree. It's one thing to take pictures during a show, but I don't see what the issue of taking a photo during a curtain call is. Especially if we're going with the whole argument that people can't live in the moment anymore. Giving your undivided attention to a show for nearly three hours is surely enough to negate a little 2 second photo.And, yes, yes, some people are over the top with it, on their phones *during* the show or holding their phones in other people's way. Those people need...

I had to check when this was posted. Super unexpected.

This is just on Wikipedia. Anyone who wanted to get more acquainted with his work after seeing the announcement could've found it. Not the same as digging up fifteen year old tweets, really.

I forgot to turn off my alarm when I saw SIX in DC on opening night because it was my first night show. SIX is so loud that no one else noticed, though.

Aw, fmv :/I'd still like to check it out, though.

GottaGetAGimmick420 said: "West End, licensing, and tour announcements all in the same day? Looks like they got that settlement ironed out and Ken will probably be getting a nice check out of all of this."Hopefully this also means the book will finally come out. I already have a copy now but the wait was insane.

Yay i get to see the show again~

I think Grover is likeable too. Basically, all the characters except Peter (though I do like Peter as a fictional character; I find him fascinating).

I wanna listen T_T. I missed the Instagram post.

I accidentally sat all the way in the last seat of row H of the right orchestra and the view was about equivalent to being orchestra left: you can't see the door that on that side of the stage and I bet you wouldn't be able to see Simon playing the drums, either, but nothing too bad.

Yes. We only hear one full song and the majority of one or two others in the show. That's a big part of why I'm so excited for it.

Anyway, this is the most excited I've been for a cast album release. Waiting for next Friday is so painful.

Super uneducated about theatre and music theory, but when you lay out the history like that, it makes it sound like a reversal or trends. The mid-to-late 20th century was full ove relatively lower register singing so when people in the late-20th to early-21st centuries started using higher notes it felt kind of surprising and fresh and became the new trend? But everything has to top the last thing so the notes get higher and higher and are more common in each show. Just some conjecture.

I think I'm most excited for East of Eden as well as Holly's song. The first time I heard Juliana Canfield sing was pure bliss. I'm so ready for next Friday~

I'm still pretty new to Broadway, so excuse my ignorance, but are these workshops usually open to the public or just industry people?

I'm going on the 13th. I really wish I could catch it tomorrow but thems the breaks. I'm hoping to see it more than once and splurge for a better seat next time because getting to see if from the second row at Playwrights was primo and this time I'm so far away (;-;).

Finallyhttps://www.nytimes.com/2024/01/17/theater/stereophonic-moving-to-broadway.html