Profile for Ensemble17701165943

Let's keep this trend going. Next up is "Six" and if they can show profit, I hope it continues with more proshots giving the rest of the world great culture, just like the NY Met has been doing for years.

I like being able to hear from diverse voices and consider his to be in that camp.

The talent is stacked for this event. I hope it does well.

ErmengardeStopSniveling said: "Stars aren't usually essential to the road because it's so subscription-based, but in this case I think they'd benefit a lot from someone with notoriety to help with local press and promotions. Even if it's a less-famous SNL alum or a MadTV person or even a Drag Race star. Also wonder what gender they will go with."I know in Las Vegas this is not part of the subscription series and this market needs a name I think to sell this kind of show.

Owen22 said: "I saw this when in London last spring and it was mostly TERRIBLE! He wrote a few nice songs and he's an okay performer. He is, however NOT a bookwriter, NOT a choreographer (so derivative!), and CERTAINLY NOT a director. There is a pointless reality switch between acts that makes no sense.He was able to scam the British theatre ommunity (who think anything that has to do with African-American slavery MUST be brilliant and worthy) to find backers and a good cast that tried to put...

Jordan Catalano said: "Shaggy is in it and I’m so confused by his presence. Was this character in the original? It seems a completely pointless character in the show and was the one thing I was greatly confused by."Baffling.

Since the Smith Center was built, there have been a string of successful seasons catering to the Broadway tours. Additionally, the Venetian is now getting their toes wet by booking engagements of The Book of Mormon and Mrs. Doubtfire. Las Vegas is not NYC, but it is holding its own. Also, this was just published in the Las Vegas Weekly about the local theatre scene.

Since this thread kind of died, I think P!nk deserves a big round of applause. She knocked it out of the park and I appreciated her awareness and ability to poke fun at herself. I would be totally fine with her hosting again next year.

I've become a huge proponent of using A View From My Seat. It's helped me figure out what the cheapest seat is I can get in a specific theatre without sacrificing the viewing experience. This has allowed me to still buy tickets ahead of time and not get stuck spending my morning doing rush or TKTS. Also, to that end, I compared what I paid for Ragtime to the TKTS booth for a Saturday matinee and my ticket was $10 cheaper purchased directly from the show. So. It's all a game and I'm glad folks...

I did enjoy watching that.

Call_me_jorge said: "Maybe they’ll finally change the ending for licensing…"Maybe they'll redo the whole show and make it the Bombshell show everyone wanted in the first place. Also, we are probably robbed forever from ever getting a "Hit List" adaptation, if there was ever the slimmest of chances of that ever being created. Big bummer.

1. P!nk is going to be amazing. 2. Even if she isn't, who cares? You'll still be getting 10+ performances to watch on YouTube or your favorite bar at showtunes night. Everyone's a winner.

Has there been any discussion on a Proshot for this production? It seems like it would fit in perfectly for PBS Great Performances.

Saw this on Friday. Callouts were minimal. Energy was fine. Luke Evans is great.

I just saw this and my only question is - how the heck is this going to tour without restaging the whole show?

n2nbaby said: "I am pretty sure I heard it was going into the August Wilson."That theatre is the worst.

blaxx said: "Ensemble17701165943 said: "blaxx said: "I particularly thought it failed in all aspects, considering how it has been proven that we can get excellent creepy/scary theater productions with solid texts.To me it was nothing short of a tourist trap.The set has awful sight lines, the script was clunky, the effects (except for one) out of community theater and the plot twist comes too late.And what are those other creepy/scary productions?"Countless, from The Woman in Black to The Brot...

blaxx said: "I particularly thought it failed in all aspects, considering how it has been proven that we can get excellent creepy/scary theater productions with solid texts.To me it was nothing short of a tourist trap.The set has awful sight lines, the script was clunky, the effects (except for one) out of community theater and the plot twist comes too late.And what are those other creepy/scary productions?

ColorTheHours048 said: "I’ve heard nothing but raves about this going back to its run at Southwark Playhouse, so I can’t wait. They took a similar marketing strategy as the first film, rolling it out in incrementally larger markets to build interest for the mainstream market, and I think it’ll pay off.Also, let’s keep expectations reasonable. It’s primarily meant to be an effect-reliant spook show, with maybe a better-than-average story for a Paranormal Activity property since it’s written by...

I liked Paranormal Activity more, but also enjoyed Stranger Things.