I saw the revival of Chicago from the last row of the orchestra, and can personally attest that at least the upper HALF of the stage is completely hidden from view. It didn't matter too much with that show, except for when Velma climbs the ladder up the proscenium and sings "Can you imagine, I mean can you imagine...."
Last 10 rows of the orchestra is a significant number of seats. That number times 8 shows a week times however long the show runs would equal a large number of upset patrons. The situation would be a bit more palatable had the obstructed portions of the performance not been so significant to the show. This would be akin to going to see CHITTY and never seeing the car leave the ground!
While this will prove problematic in the long run, I'm guessing that for the first few months of the run, Disney will have no trouble filling every seat. I'm betting that there was a line outside of people who would have gladly snatched up those rear orchestra tix.
I have tickets for Saturday's matinee --- Row T, obstructed view. I'm personally excited to see how obstructed it is. I honestly cannot wait. I plan on writing letters to DTP, as well as NY1, for Onstage. Maybe Roma will read it live. Haha
Right, obvioulsy more of Tarzan's action takes place above those sight lines than it did with Movin' Out, but if it was a problem for that show, this should've been expected.
It's not exactly a new theatre, and the mezzanine hasn't recently been lowered. The potential for this problem has existed since the theatre was built. It's just not fair to pay full price for seeing half the show.
I will never buy an 'obstructed view' ticket again. The term is so vague, and they use it to cheat you out of your money. The theatre where the Wicked tour stopped in Philadelphia has the entire "Family Circle" section lined with columns about a volleyball's diameter. A girl two rows ahead of me paid full price for her ticket, and found her seat to be completely obstructed by a support column. No way to see the show at all - it was completely blocking her entire view.
I guess the solution is to save enough money to buy a really good ticket. But in the case of Tarzan, the Orchestra section isn't even good enough. What a logistics nightmare.
Hear the words I sing: war's a horrid thing. So, I sing sing sing... Ding a ling a ling.
Perhaps if theater today could become less about gimmicks, such as flying, hanging, things that rise and fall, people/objects out over the audience, etc., and get back to the time-honored tradition of "simply being on the stage, and acting", then we wouldn't have these ridiculous problems. I saw "How To Succeed" there in 1996, and sat towards the back of the audience, and saw everything beautifully. I don't remember there being any point in which Matthew Broderick or Lillias White flew over, under, next to, across, or by the audience. Oh that's right - they simply sang, acted, and danced like a normal musical should. What a concept!!
No. I excpect for intelligent concepts to be put on the stage. I always thought Tarzan was the most ridiculous idea for a musical. There are many other great Disney films that, in my opinion, would translate much better to the stage.
That's the silliest thing I've ever read. So, they shouldn't try new and innovative staging (and this goes for any musical)???? Should they all just stand center stage and read their lines?