Click below to access all the grosses from all the shows for the week ending 1/23/2011 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Ouch "Billy Elliot!" I've never seen its gross that low. I know this is a week where grosses are usually bad, but to see numbers like that for "Billy Elliot" is surprising. Updated On: 1/24/11 at 03:03 PM
Talk about drops look at 'The Lion King', I had to do a double take 68.8%, must be its lowest average ever, not worried though as I know it be back on its game soon.
Billy Elliot has been slowly declining. Its Playbills are in B&W (which I know isn't saying much, but Jersey Boys is still in color), and it's been on TKTS for 50% nearly every day. I don't think it did as poorly last year this time, but it is declining.
You really can tell which shows are tourist traps by looking at the rapid declines- Mamma Mia, Chicago, etc.
I marvel at the durability of "Chicago". It always seems to withstand the difficulties of the winter months. I plan to see it on Thursday, March 17th. Jason Sands is cuute. from RC in Austin, Texas
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
It was also freezing all week. I doubt many people from New York/New Jersey decided to take a last minute trip into the city to see a show.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I feel like Chicago is staying around (A) to make it into the top 5 long-runners (within a month or two) and (B) to retroactively "beat" A Chorus Line (within this year).
CHICAGO (and many of the big tourist shows) do so well in teh summer and holiday seasons that they can coast through some lean weeks in the winter.
A show that has had a long profitable run is far less vulnerable than new shows struggling to recoup.
I do think it's healthier to have a rotation of new shows coming in all the time and every time there are stories about "booking jams" and no theatres available for the new product I can't help but wish the theater owners would look to close productions that have outlived their appeal.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com