I’m also on the hunt, and support your pursuit! They’re being well-hidden. I think the audios are easier to get than the videos, but in two decades of searching/asking, neither have landed in my hands.
What I was told by an actor that was there is… the acting was extraordinary, and she could sing okay once she was “in” the song, but finding the key was always a messy moment.
Best case scenario would be hearing them in person with someone that has them. I can’t imagine the files are sent around readily
Edit, sorry, hadn’t read up entirely on the whole Faye Dunaway/Sunset debacle.
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Dunaway never did a single performance so no video or audio exists. They pulled the plug on the L.A. production very early into her rehearsals. She did begin costume fittings but no promotional photos were ever taken.
BrodyFosse123 said: "Dunaway never did a single performance so no video or audio exists. They pulled the plug on the L.A. production very early into her rehearsals. She did begin costume fittings but no promotional photos were ever taken."
She didn’t perform, but the tapes that are out there are from rehearsal. In this interview from around 1h13min, Rex Smith says it was 5 and a half weeks into rehearsal, at the dress rehearsal, that the plug was pulled on LA. Plenty of time for video and audio to be taken. The interviewer also mentions a tape.
Thank you for the link. This is the first time we actually get direct info about Dunaway in SUNSET BLVD on so many levels as for decades it’s all been heresay (including those alleged recordings that have never surfaced anywhere). No idea he was initially cast to continue the L.A. run prior to opening the Toronto production. Also great how he praised her performance and stating that her acting alone would have made her singing limitations forgivable. Only watched the SUNSET and Leonard Bernstein portion of this interview and thrilled I did. Thank you again for sharing this.
I can’t thank you ENOUGH for the sharing of these. Rex and Anastasia cleared up so much speculation and heresay rumors that have been around for decades. Faye was about 52-53 around this time so she was age appropriate and so great hearing such positive and complimentary words not only about her but about her performance as Norma. Sadly time hasn’t fared well for Dunaway but nice to know there was a time when she still held that glorious Dunaway aura and her Norma is/was a missed opportunity as they truly could have allowed her to sing the score however she felt comfortable with and thus have given us a different approach to the role. That rumored tape has yet to surface anywhere in about 30 years so hopefully it does in our lifetime.
Very welcome Brody, and thanks Neal for posting the Anastasia link - I’d forgotten about that interview as being a fan of Rex Smith, once I saw his piece it stayed more in my mind - but Anastasia’s words are so valuable as well.
They do give a wonderful account of the whole thing. And props to Billy Masters for diving into it all!
Boris, thanks for posting the Rex interview. Both interviews when discussing Faye are very, very complimentary to her, and very fair regarding what she could and couldn't do. Anastasia's insight was pretty spot on. Had tickets to see Faye.
In his autobiography, Bob Avian writes about SB. He never saw her in rehearsals, but heard incredible things about her book scenes, too.
I went the final week at the Shubert: Los Angeles to see the show for the third time. There was an unusually long Cancellation Line that night. Turns out that was the day Dunaway was let go and there was a sudden demand for tickets before it closed.
You got it Neal! I’ve always wondered why Rex wasn’t auditioned and offered the LA premiere. His interview made it sound like the replacement cast audition was his first time auditioning. He and Glenn would have been dynamite, and his name would have been extra box office incentive - as if it was needed!
There was a newspaper ad for SB with Faye announcing her start date, with Karen Mason going on during before Faye took over, and after Glenn left. I have no idea on how to attach it here though. I'm very electronically challenged.
Boris, agreed. One would think that Rex would have been offered the role of Joe Gillis from the start. I did several shows with Amick Byram, who understudied Alan Campbell and did the role many times during the show's 7 month run. He said the same thing about Faye, that her book scenes were just unbelievable. And, given more time, she would have made the songs her own, in a completely different style.
I'm confused by what Lloyd Webber really had to lose in this situation.
I'm assuming Glenn Close and the production had already been decently/favorably reviewed in Los Angeles, especially since the company was in the process of leaving for New York.
Would negative reviews of Faye Dunaway merely replacing in the Los Angeles production have affected or threatened the show's success on Broadway that much?
Perhaps someone could clarify the potential impact for me.
"I'm seeing the LuPone in Key West later this week. I'm hoping for great vocals and some sort of insane breakdown..." - BenjaminNicholas2
Does anyone know if they moved the physical production from LA to Broadway? I can imagine if they weren't confident the LA production would run with Dunaway, they might have felt it was less risky to close it rather than build a new set/costumes for NY.
Per the “DUNAWAY WITH FAYE: SUN SETS ON BOULEVARD” article from the Washington Post announcing the cancellation, the Los Angeles sets were used for the Canadian production with Diahann Carroll.