hey, i have a petty reuqest. can someone post the lyrics to something just broke from Assassins? I don't have the booklet... thanks a trillion!
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
I was out in the yard Taking down the bed sheets When my neighbor yelled across “The president's been shot” I remember where I was Just exactly where I was In the yard out back “The president's been shot”
I was getting me a shoeshine Folding sheets When I heard We were waiting for a carriage Newsboys Lizzie’s sheets “The president's been shot” I’ll remember it forever And I thought Where I was, what I was doing Something just broke “The president's been shot” My God
I was up near the ridge plowing We were working at the plant I was halfway through correcting the exams When my wife It was Mike She comes tearing cross the field Mike the foremen In runs Billy I mean, he was crying He was crying She was crying I’ll remember it forever And I thought “The president's been shot” You know what? There are presidents who aren’t worth a lot I kept thinking There’s the kind that gets elected, then forgot Mr. Garfield Mr Lincoln He’s a hack Bill McKinley He’s a giant He’s a joke Still, something just broke
“The President is rallying. The President is sinking. The President is dead.”
Something just broke I was down at the Exchange Something just made a little dent I’d been shopping I’d been sick Something just broke All I know, it was a Friday Only for a moment I remember it exactly Something got bent I’m taking the order Something just left a little mark I was getting dressed 2 potato soups Something just went a little dark Something just went And I wondered I was scared of What would follow Something to be mended Make me wonder who we are Something we’ll have to weather It was seeing all those torches Bringing us all together He was me He was us If only for a moment I’ll remember it forever Nothing has really ended Where I was, what I was doing Only just been suspended Like a flash Cause something just stirred And I thought And I thought to myself And I thought And I thought I kept thinking Something just woke Something just spoke Something I wish I hadn’t heard Something bewildering occurred Fix it up fast, please Till its just smoke Till its only something just passed Nothing that will last Where I was what I was doing Nothing but the moment Just an awful moment But something just...
Sorry if its hard to read-- I did it quickly and didn't list characters.
"I'm a cuber, I'm a cuber, I'm a cuber, I'm a cuber, I'm a cuber, I'm a cuber. Please don't take me to the pickle farm."- Brak
Actually, I recently played one of the Bystanders in a production of "Assassins" and sang this song, and even I thought it should be cut (it's an optional song). It breaks up the dramatic continuity between the Oswald scene and the finale, and frankly, it's not a very good song.
However, I know I'm in the minority here...anyone wanna back me up on this?
No. It's actually a great song. It's not exactly the style of Assassins. It actually quotes Passion in maaaany places. however it's great lyric writing and the concept make it a wonderful song. I can't vouche for it's placement however.
Jazzy--that's part of my problem with it. The style of the song is nothing like the rest of the music in the show. I always thought it sounded more like something out of SITPWG--and, since you mention it, it does sound like PASSION too. It just seems awkward. Plus, I LOVE how on the OCR the music crescendos (sp?) from the end of the book dipository scene and the gunshot to the "Hail to the Chief" theme as we come to the finale...SOOOO brilliant.
See that scene seemed REALLY long to me. I think I needed something to add a little air to the scene. Actually I think he was writing Passion when he added this piece. I'm not sure though. There are some quotes from one of the scene changes. I think it was totally unconscious.
The problem with the song is that for the entire evening, we are shown only the assassains perspective. Suddenly, we're forced to deal with the 'average American's' perspective. I think two things could have helped this number land. First, snippets of this song should be sung throughout the evening, after each assassination so that we don't all of a sudden have to listen to a bunch of people in which we're not invested. Secondly, DO NOT remove the assassains from the stage. I always thought a slow-mo, stylized celebration while the ensemble sings this song would have been effectively creepy.
In the end, though, we could do without it. We, as the audience, are the average Americans, and I think it's much more effective to NOT have our voice represented on stage.
"I'm so looking forward to a time when all the Reagan Democrats are dead."
It gave me chills when I saw the show last April. I remember thinking as it started, "Oh yeah, this is a Sondheim show"! I guess because the rest of the score did not sound like typical Sondheim. But after listening to it a few times. You know it's Sondheim!
Loved performing this piece when I did the show, and understand why many think it doesn fit...but there are many different sounds in this score owing to the fact that the eras change for each of the assassins... RobbieJ, I think you have a great idea to help integrate this piece into the show...you should direct!
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
i think we get snippets throughout of "average American" reactions to the Presidents and their attackers, particularly in "I Saved the President".
i do think the score has wonderful variety, not just in time period, so the style of composition differing is no problem for me. As i've stated elsewhere, the way Sondheim employs and expands typical American music forms in this piece, from barbershop quartet to Copland to Sousa to folk rock, is absolutely brilliant. This song has echoes of more serious music from the Sixties, and i find it appropriate.
The lyrics are beautiful, not hard to sing, and not overly clever as cynics can accuse Sondheim of doing. It was a wonderfully staged moment in the revival, and for me at least never disrupted the climactic flow of the second act. i also think the inclusion and placement helps counteract the show's reputation of being "anti-American" when in fact it really explores the attractions and challenges of American patriotism.
i also like the idea of the song recurring before hand, much like that device used in SWEENEY or MERRILY.
For me, Sondheim gives such choices to directors, that any well-thought and integrated version is interesting. i was just reading recently a very compelling private account of Sondheim's lyric re-writing for the revival of PACIFIC OVERTURES, and his continuing artistry deserves respect and thoughtful consideration.
Will: They don't give out awards for helping people be gay... unless you count the Tonys.
"I guarantee that we'll have tough
times. I guarantee that at some point
one or both of us will want to get out.
But I also guarantee that if I don't
ask you to be mine, I'll regret it for
the rest of my life..."
The lyrics may not be difficult to sing but they are extremely difficult to learn and master. The many thoughts that make up the whole concept in the verses of the song are very tedious to teach. Believe me.
BSoBW2: I punched Sondheim in the face after I saw Wicked and said, "Why couldn't you write like that!?"
all i can say is, as an intelligent audience member, the product of that time spent teaching is worth it. "Art isn't easy..."
Will: They don't give out awards for helping people be gay... unless you count the Tonys.
"I guarantee that we'll have tough
times. I guarantee that at some point
one or both of us will want to get out.
But I also guarantee that if I don't
ask you to be mine, I'll regret it for
the rest of my life..."