It's a "guilty pleasure" for me, magruder. Carolyn Leigh penned some VERY witty lyrics, and I am partial to "Walk Away", "Shakesphere Lied", and "They Don't Make 'em Like That Anymore".
As for the Tony Roberts songs...EUUUUCHHH!
Praying Decca Broadway will put "Don't Bother Me, I Can't Cope" on CD!
Not to mention the delightful insanity of "He's Here". Tony Roberts is an acquired taste, I suppose, but I really like "Gawk, Tousle and Shucks," "Touch and Go," and of course, "Step to the Rear".
And in a less extreme example, "Day by Day," from Godspell. That's not really a bad score, just a mediocre one.
Oh, and this will probably get me a few flames, but "The Impossible Dream," from Man of La Mancha, a distinctly mediocre score.
Updated On: 5/22/05 at 04:04 PM
"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999
How Now was enjoyable. Not great but enjoyable Loved the score from I Had A Ball
When I Get My Name In Lights - Legs Diamond A Married Man - Baker Street It's So Simple - Baker Street Horn of Plenty - Little Women Two of A Kind - Gone With The Wind
"At the opening night party, they had clowns on stilts, jugglers, a chocolate fountain, popcorn, hot dogs. [My son] looked at me like I had been holding back. Like, 'This is what you do?' I had to tell him, 'No, no, darling. Opening nights don't usually look like this.' It's usually a dark bar with a bottle of vodka." ?Chitty Chitty Bang Bang's Jan Maxwell
plus i proudly share the title of the shortest member over the age of 10 with wickedrentq!
"Oh, and this will probably get me a few flames, but "The Impossible Dream," from Man of La Mancha, a distinctly mediocre score."
There are maybe one or two others (To each his Dulcinea, Aldonza, Dulcinea) but it is not as strong a score as the show's ongoing fame would suggest.
But... how does GYSPY qualify as a weak score?? Ok, some of the vaudeville numbers are intentionally awful but that's the point. The rest is pure gold. The lyrics zip along at a great pace and the tunes are all totally appropraite for the book. There is NOT ONE WEAK LINK in this score. It's fine if the writer doesn't like it, but to say it is weak shows a lack of familiarity with what Broadway is all about. (Maybe the writer spends too much time watching WICKED and PHANTOM over and over?)
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
"Before The Summer Ends" from Dracula the Musical. As a whole, the score was pretty lackluster and undeveloped, several of the songs were quite wonderful. "BTSE" is an amazing example of how a shorter ballad can be so effective when it's well written. I have to be honest, I think it was the only song in the show that Don Black didn't try to write in five minutes. Wildhorn's music had such potential, but the lyrics throughout the show were crap! I really think that Doug Besterman's orchestrations, even though most of it was canned, were gorgeous!
Bye!
Phantom05
------- "We Drink Your Blood And Then We Eat Your Soul, Nothings Gonna Stop Us Let The Bad Times Roll"
-------"Past The Point Of No Return, No Backward Glances, Abandon Thought And Let The Dream Begin"
Yeah, my mouth is still on the floor about the whole Gypsy thing!
Phantom05
------- "We Drink Your Blood And Then We Eat Your Soul, Nothings Gonna Stop Us Let The Bad Times Roll"
-------"Past The Point Of No Return, No Backward Glances, Abandon Thought And Let The Dream Begin"
A Man Worth Fightin' For - Bring Back Birdie And Eve Was Weak - Carrie The First Lady of the Land - Mr. President The Life of the Party - The Happy Time The Man Nobody Could Love - Legs Diamond Chief Cook and Bottle Washer - The Rink Stop Time - Big Orbachs, Bloomingdales, Best and Saks - Coco Men - Lorelei Running in Place - Steel Pier
There are no good songs in Thou Shalt Not and Nick & Nora.
"You won't fight without layers of armor
Suit on up and come brace my sword
You look back when the pieces are missing
Hollowed out hope that no time can restore."
Geez, let up on the person who has a different opinion about Gypsy!
Anyway: Aida - My Strongest Suit Triumph of Love - Have A Little Faith, Henchmen are Forgotten, and Mr. Right Jane Eyre - Sirens, In The Light of the Virgin Morning, The Proposal Hairspray - Mama, I'm A Big Girl Now The Scarlet Pimpernel - Prayer, Falcon in the Dive Jekyll and Hyde - In His Eyes
...I think this is mostly a list of guilty pleasures, but hey.
i really like once upon a time from Brooklyn... thats just my opinion and i think its the best song from the brooklyn score, all though theres not too much competition
i was only 6 when the show came out in 1988 so I did not see the show live. i have seen the bootleg of act 1 though. the show has great appeal to me because it was a huge flop. some of the music is good, but according to those who saw it, the show flopped because of the staging and the costumes.