Original (Off) Broadway (Revival) Cast Albums always seem to have a perfect 3-song set (that play consecutively) somewhere in the middle of the album. Just 3 songs (one right after another) that blend and flow so well together that you can't listen to them any other way. Name some of your favorites.
Additionally, the 3-song set usually includes an incredible roller coaster of emotion and action (usually the climax) of the plot, usually a rise and fall. At least that's the theme of my favorites:
THE LIGHT IN THE PIAZZA "Aiutami" "The Light in the Piazza" "Octect"
PARADE "Factory Girls/Come Into My Office" "That's What He Said" "Leo's Statement"
SWEENEY TODD "Epiphany" "A Little Priest" "God, That's Good"
WICKED "As Long As You're Mine" "No Good Deed" "March of the Witch Hunters"
One, Sweeney Todd - the third song with Epiphany and Little Priest is Pretty Women before them, NOT God, That's Good after! Not only is the act break in there, but the three songs at the end of the act are PERFECT.
My other one -- March of the Witch Hunters???? You've GOT to be kidding me.
How about from 1776: Momma Look Sharp The Egg Molasses to Rum
A Chorus Line: Hello 12, Hello 13 Nothing Music and the Mirror
Company: Someone Is Waiting Another 100 People Getting Married Today
Follies: Who's That Woman I'm Still Here Too Many Mornings
Follies: You're Gonna Love Tomorrow/Love Will See Us Through Buddy's Blues Losing My Mind
One more (Sondheim naturally) Into the Woods: Your Fault/Last Midnight No More No One is Alone
You really think March of the Witch Hunters is as good as the other two songs or did you put it in there because you like the other two so much?
As for Sweeney - I've never heard anyone list God, That's Good with the other two -- probably because on every other recording I've heard (other than this newest one) they're on separate cds. In the theater they're separated by 15 minutes of intermission. I've always viewed Pretty Women-Epiphany-A Little Priest as THE classic example of a three song string - the perfect 15 minutes of theater. They flow together, they BELONG together. That's just how I've ALWAYS seen it. And maybe I'm the one willing to say it, but I'll bet a lot of people agree with that.
You are, of course, entitled to your opinion -- I'm not sure in this case this IS a matter of opinion. I don't see those songs as you listed them as "flow[ing] so well together that you can't listen to them any other way."
Johanna By the Sea Not while I'm around ...................... Green Finch&Linett Bird Ah, Miss Johanna ...................... Pretty Women Epiphany A Little Priest
Okay I could go on forever breaking the Revival Cast Recording into three song sets but I'll stop.
Didnt we have this exact same thread not too long ago?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
I was just about to talk about the A Chorus Line quibble... how funny you correct someone snidly and then make a little flib-up yourself... well that's karma for ya
A LITTLE NIGHT MUSIC Now Later Soon (I think it counts as three songs though it's listed as one)
GYPSY If Momma Was Married All I Need is the Girl Everything's COming Up Roses
WILD PARTY (LIPPA) By Now the Room was Moving Juggernaut A Wild, Wild Party
CAROUSEL (it's like 3 1/2) Overture You're a Queer One, Julie Jordan/Mister Snow If I Loved You
Once again -- the original post is talking SPECIFICALLY about CDs and three tracks that play in order. On my CD, as evidenced by the amazon link, my order was correct. Maybe the original CD was out of order from the way the show was done in the theater. That isn't the point. When I listen to my CD of A Chorus Line, the order I listed the songs in IS the order that I hear them BECAUSE THAT IS WHAT'S ON MY CD, and I'm guessing I'm not the only one on here who has a CD from before the re-release. I am NOT wrong in this.
I stand by every word I have posted on this thread. I've also noticed (since I'm in a particularly cantakerous mood): 1) no defense of the March of the Witch Hunters (so I assume I'm right about that) 2) everyone else who has posted on here has agreed with me that Pretty Women belongs in the trio, not "God, That's Good" because as a matter of FLOW, the former is the song that belongs, not the latter. (I also want to make it clear that I think the entire SHOW is genius - I'm not putting down the song, just that it doesn't fit with the other two in the way we're talking about here).
How old are you exactly? Anyway? Overthemoon I agree with the Wicked Witch of The East Thing
BARE Ever After Spring One
AIDA Written in the Stars I Know the Truth Elaborate Lives (I would like to find a recording w/o Pascal though)
I have NEVER met Cheyenne Jackson. I have never hung out with him in his dressing room, he did not tweet me, he never bought me a beverage, and he mostly certainly didn't tickle me. . .that is all.
Regarding what you think are poor choices of mine:
Yes, I'm standing by both my favorite 3-song sets for Sweeney and Wicked.
I chose them because I love the way they make me feel. Sure, Pretty Women flows better and March of the Witch Hunters doesn't have the best musicality. But when I (key word there is "I") listen to the 3-song set together, I like the way they make me feel. This was a personal favorites thread. Not a correct everyone's opinion thread.
And I've said it before but I'm a huge sucker for large, loudly orchestrated ensemble numbers. Hence my song choices. And I'm going on 21 years old.