Witch- Sherie Rene Scott Narrator/Mysterious Man- John Lithgow Baker's Wife- Carolee Carmello The Baker- Daniel Evans Cinderella- Jennifer Damiano Cinderella's Prince/Wolf- Mark Kudisch Rapunzel's Prince- Tom Hewitt Jack's Mom- Kathy Najimy
I think Sherrie Rene Scott would be an excellent witch, but she doesn't do revivals.
"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.
The Witch: Audra McDonald The Baker: Marc Kudish The Baker's Wife: Jennifer Laura Thompson Cinderella: Kelli O'Hara Cinderella's Prince/Wolf: Cheyenne Jackson
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
BobbyBubby, That sums up the main problem with the revival in one line - Lapine was too worried about being "different" than the original and not worried enough about just serving the piece. I am a firm believer that a director can have two very different vies of a show and excute them equally as well, but Lapine, as the libterrist, was TOO deeply ingrained in the creating and in formulating the piece, all resulting in that original staging, that he isn't a place to offer a wholey different, valid, and well executed view.
What's with the revisionist history of everyone liking Laura Benanti in this production? The revival was far from a mess. The reviews I read just shortly before seeing the show led me to believe it had been rebuilt to make Cinderella the star. It wasn't, of course, but Benanti gave a terrific performance. But the Baker, Baker's Wife, and Jack's Mother were far less effective. The set design was (I thought) quite brilliant although since then the Stratford Shakespeare Festival in Ontario went one better with a stunning visual design for their 2005 production. (A shame THAT version could not have been taken to Broadway if only for a limited engagement.)
I don't think WOODS has as large an audience as people would think. It is not really a show for children but many adults assume it is because of the fairy tales.
Maybe the NYCO should give it a try?
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Eamon Foley would be PERFECT for the role of Jack. It would be great to see a very talented teen on stage instead of adults faking their ways as children.
He was incredible in "Everyday Rapture". Updated On: 8/8/09 at 05:54 PM
I wonder if "Into the woods" could ever be revived successfully, I get the impression it belongs in community theatres and on DVD.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000