Hey all. I just got back from the first preview off "Our Town" directed by Cromer - who also doubles as the stage manager. I was already a fan of the show going into it, I think Thorton Wilder is a genius, so I expected to like it anyways. But it exceeded all my expectations. After being let down by so many shows (Guys and Dolls, Distracted, etc), I was so thrilled to be seeing something that I engaged in. I felt myself reliving it all over again as if I didn't know what was going to happen. The whole "concept" isn't new. There's minimal sets, props, etc. However, the audience is essentially part of the set. The actors - who are wearing modern day clothing - enter through the audience, and the stage manger interacts with the audience. The choice Cromer made in Act III was brilliant, and I can see why the revival is being hailed for it. The acting was great all around. My only problem was the actor playing George Gibbs. I just didn't care for his performance. He had the same line reading, and it just didn't work for me. However, the girl playing Emily was flat-out brilliant. I think she deserves to win whatever awards she can get - Drama Desk, etc. I really loved her performance. She took the nerdy aspects of the character and ran with it, and I loved it.
In summary, go see this production. There is a code for $25 dollar tickets now through the beginning of March. I didn't ask for student rush or anything, so I don't know how that works. Also, I would suggest getting a seat closer to the centers of the sections.
I really need someone to spoil me about this Act III choice that I keep hearing about. There is absolutely no way I'm going to get a chance to see this (no chance to travel to NY anytime in the near future), and I'm dying of curiosity here. Please PM me?
I'm seeing this in two weeks! I can't wait, it sounds great :)
"In theater, the process of it is the experience. Everyone goes through the process, and everyone has the experience together. It doesn't last - only in people's memories and in their hearts. That's the beauty and sadness of it. But that's life - beauty and the sadness. And that is why theater is life." - Sherie Rene Scott
RentBoy, who was that sitting in the second row near where Cromer sat on the stairs for the third act? I know the face but can't think of the name.
Edit: So I was reminded today when I saw both the name and the face in an article about THE BLACK MONK. It was composer and recording engineer John Kilgore. And he was also the guy who returned late for Act 3 and had to climb over the first row of seats. See link below for his pic. THE BLACK MONK cast recordingUpdated On: 5/24/09 at 11:40 PM
I honestly don't know? I didn't know it was anyone I should know?
I'm on the fence about how I feel about Cromer as the Stage Manger. Part of me sort of enjoyed his down-to-earth, sarcastic tone, but at the same time, it felt like he was just throwing these lines out without any sort of thought or meaning. It worked, and I think I eventually warmed to him.
I can't wait to hear all of your thoughts, and I think I'm going to go back in a few weeks to check it out. Maybe then I'll enjoy the guy playing George Gibb's performance, it was only the first preview. I'm curious to know why the entire Chicago cast didn't transfer? Just other projects, or scheduling conflicts, etc?
And just to expand on why I didn't like the George Gibbs actor (sorry don't have my program) - I just didn't think he conquered the language. The other actors made the "dated" language feel current and natural, but he just felt like he was fighting against them. He does have some lame lines - I love you Wilder, but his two lines at the end of "Act 1" are pretty awful - but they just didn't seem to gel with him at all.
I was also there last night and thought the production was amazing. I'd actually never seen Our Town performed before, so despite the fact that I've read it a solid handful of times, it still played like a revelation.
I loved Cromer as the Stage Manager. I thought he was brisk and appealing, bringing a contemporary edge to the line readings when appropriate but also easily transitioning into the more colloquial passages.
Like you, RentBoy, I had troubles with one performer, but a different one. I actually quite liked Mr. Gibbs and thought his performance really popped. For me, Mrs. Webb missed the mark, seeming to strain to contain the performance to a size appropriate for the intimate set-up. I also didn't love Mrs. Gibbs at first, but she had won me over by the end. But I wholeheartedly concur that Jennifer Grace as Emily is just breathtaking. She brought a tear to my eye during the wedding scene and left me a weeping mess during Act III.
And Act III! Just a brilliant directorial moment that stays so true to the spirit of the piece even while breaking from its strictures. And that's all I'll say on that which seems unfair, but why spoil it?
Truly, one of the best things I've seen in months. It was a last minute decision to snag a $25 seat, and I'm so glad I did.
Our Town is my all-time favorite play. I definitely have to make a trip to NYC to see this, especially since I was somewhat disappointed with the revival starring Paul Newman several years back.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
I have a special affinity for OUR TOWN, having directed three productions of it and having played George Gibbs in yet another ('way back when I could pass for a teenager!). I'm glad to learn this is a good production. I'm eager to see it.
I could agree with Mrs. Webb straining. Her voice work just didn't seem on par. It seemed strained, like you said, and a little horse. But I still stand by Gibbs, ha.
I also like what he did with the "audience" interaction part.
Emily just THINKS she dies in the last act, which is a dream sequence choreograhed by Agnes DeMille (who IS dead--go figure). When she awakens from her dream the whole cast brings out a birthday cake and sings "Love and Marriage".
I agree with RentBoy. Great production, but George is the weakest link. He had a 'surfer boy' voice going on part of the time. It's one of my favorite plays, and I'm amazed at how well they stuck to the text with all the creative staging... again, with the exception of George. He was paraphrasing like I've never seen in a professional production before. Hopefully, he'll get better. Other than that, the show looked pretty close to being able to open right now.
I'm just glady Cromer updated the play for modern audiences without having to resort to stupid gimmicks like using cell phones, or "hip" language. I think it's a production that kids and adults can appreciate.
It was funny because during the intermission before the start of Act III you could see all the women getting tissues out of their purses and preparing themselves for a good cry. And man, did it make everyone cry!
When my school did the show, I think the hardest part is the end of Act II at the wedding. The whole George and Emily freaking out at the wedding thing can be a bit tricky, and I thought Cromer and his actors successfully conquered it.
Yes, I have seen the 1940's movie--the one with William Holden trying to look like a teenager.
As a retired high school English teacher, I think I've seen every video version of the play there ever was. With a play like this, it was essential for the students to get a visual impression of what Wilder envisioned. I often used the 1940 movie for a "Compare and Contrast" essay.
I hated the Newman revival though. While it did look pretty, I just didn't think it took any risks or did anything different. It was just sort of like "so what?"
Now that I think about it, I'm not sure how I like the "audience interaction," but it was interesting, but made it harder to pay attention to the questions. Although the guy playing Mr. Webb was so realistic and great. I just loved his little nuances. Felt like the words were written for him.
I don't think you will be. I mean, it's a beautiful show regardless, and the cast - for the most part - is great. And it's an interesting setting/staging/theater, so that always makes it interesting.
I'm curious to know how the space is normally set up and how a musical like "Gone Missing" worked in the space.
And I'm also excited that Cromer is directing on Broadway next season!