PUNCH Reviews

[EDSOSLO858]

Posted: 9/29/25 at 8:44pm

[blaxx]

Posted: 9/29/25 at 10:18pm

Mediocre reviews for a mediocre play.

[Jordan Catalano]

Posted: 9/29/25 at 10:31pm

I thought it was exceptional. Interestingly this is yet another British import that’s being received vastly different than it was in the UK.

[EDSOSLO858]

Posted: 9/29/25 at 10:32pm

DTLI Consensus: Will Harrison's fierce lead performance buoys Punch, though some dramatic shortfalls keep the play from becoming a true knockout.

8 positive, 4 mixed (including the NYT), 1 negative.

https://didtheylikeit.com/shows/punch/

[gibsons2]

Posted: 9/29/25 at 11:25pm

Wow, after brutal year of multiple expensive flops and Broadway falling apart, it seems like critics are holding back and being at least polite. Some mediocre production like this one will probably benefit from gentle criticism. 

Updated On: 9/29/25 at 11:25 PM

[NotTheComfyChair]

Posted: 9/30/25 at 5:40pm

I agreed with Jordan C. I think the play is exceptional (from seeing the London production). I understand that others don't agree and they have the right to express that view. 

Please note: I say "I think..." 

I'm not sure that the 8 positive, 4 mixed, and 1 negative reviews that EDSOSLO858 mentioned from DTLI warrants the absolutist view "mediocre" without a qualifying "my opinion..., I think.., I feel..." 

 

[EDSOSLO858]

Posted: 10/16/25 at 10:50am

The final week of performances will be livestreamed. Tickets for $75, including fees, on sale now at lolst.org

 

[TotallyEffed]

Posted: 10/16/25 at 11:12am

You could purchase a seat to see it live for half that price.

 

This play was not for me. The first act was so jam-packed with exposition and narration I could barely process what was even happening. I wanted to leave at intermission but stayed and the second act, while maudlin, was a bit better. The access who played the main character's mother/social worker was very good, and the only performer who had a grasp of the accent.

I absolutely love Victoria Clark, but her accent was one of the worst I've ever heard on a Broadway stage.

[SteveSanders]

Posted: 10/16/25 at 12:17pm

EDSOSLO858 said: "The final week of performances will be livestreamed.Tickets for $75, including fees, on sale now at lolst.org"

On the one hand, great.

On the other hand, quite pricey.

I'd love to have been a fly on the wall when price point was discussed and am eager to learn how it sells. 

Maybe I'm having a bit of sticker shock because I just purchased a streaming ticket for a play from London's 180-seat Orange Tree Theatre and this was the message when purchasing access: "As this OT On Screen production will be enjoyed from outside the theatre, we ask people to pay what they’re happy to give, starting from £15." 

You had three options for purchase £15, £29, and £39.

 

Updated On: 10/16/25 at 12:17 PM

[chrishuyen]

Posted: 10/16/25 at 2:16pm

I saw this on Tuesday and would say I liked it on the whole and found the story quite moving (if a little one-sided).  But this has the curious phenomenon where I think all parts of the show were executed quite well EXCEPT the writing.  Others have talked about the amount of exposition and direct address the show has, and I don't think that would necessarily be a problem but they don't seem to want to lean into it or make it a key point of the story--in fact, it's all but dropped in the second act--so it ends up feeling like lazy writing.  I haven't read Jacob Dunne's book, but I imagine a lot of the play was taken point for point from that. 

I have to give props to Adam Penford for making the staging kinetic and interesting to watch, even with the amount of narration, though the pacing overall was a bit inconsistent.  The asides in the first act where we see David and Joan react to their son's hospitalization feel incredibly inert in comparison to the rest of the story unfolding around them, and while I think the intention is to go for a moment of quiet emotion in the midst of Jacob's frenetic reenactment, it completely fell flat for me (maybe due to the lack of chemistry between the two characters, maybe due to Victoria Clark's terrible accent).  But overall I found the story itself quite engaging to watch, as I was unfamiliar with it before.

Will Harrison is indeed a revelation (I was shocked to find out he wasn't British), and I hope he'll receive a Tony nomination for the role.  I did get pretty emotional at his redemption story in the end, but there were parts of the show where I wish the characters had a little more time to breathe.  It would have been nice seeing the bulk of the show focused on his time after prison, rather than that all being allocated to the second act.  And I never quite understood what led him to turning over a new leaf and even being interested in restorative justice since it seemed like he fell back in with his old crowd again afterwards.

In the playbill there's a tribute to James Hodgkinson which surprised me since this seems like Jacob Dunne's story through and through, and James is more of a plot device rather than a feature focus.  I did still ultimately enjoy the play and I'd probably recommend people to see it for the story itself, but I can't say that it's a "good play" necessarily.

[ggersten]

Posted: 10/16/25 at 3:22pm

EDSOSLO858 said: "The final week of performances will be livestreamed.Tickets for $75, including fees, on sale now at lolst.org

"

It's unclear to me if this is streaming live.  The email I got said it was "captured live" and is "streaming as-live".  So, it sounds like they filmed one performance and that is what is going to be streamed. 

 

[TheOtherOne2]

Posted: 10/16/25 at 8:57pm

"But this has the curious phenomenon where I think all parts of the show were executed quite well EXCEPT the writing."

Odd but true.

(And after her scenes as different characters I thought Victoria Clark sounded fine throughout the rest of the play.)