There has been a decided whiff of the soap opera in some of the adulterous plotting. Not as fresh as the lurid doings with the wife of the agent last year. With Betty, I wrestle with either the character and/or January. Sometimes, I think she expertly embodies this empty woman to perfection; other times, I feel Jones lacks he chops to suggest something beneath the surface. There's a Stepford eye thing she does that has grown wearying in its repetition. (Curiously, it reminds me of Madonna's least persuasive moments in EVITA, a kind of non-blink blink with a stare into space.) I think it's half Betty and half January at this point.
The civil rights sequence was right out of FAR FROM HEAVEN, anyone else think?
And Don and the teacher, it's just a bit been-there, done-that. At least with her non compliance compliance.
The Sal plotting, however, is riveting. It's so good, I only wish they'd found a bit more to mine from it. Batt was quite heartbreaking during his firing sequence. It's not gay vs. hetero sexualized story, it's about the degree or originality in the actual construction of the scenes.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 10/12/09 at 04:17 PM