And you saw it....when?
As a screenwriter, dfw, I can tell you that no one likes "direct and honest". They want to be entertained. They want to suspense, and drama, and a great story. They don't want to be preached at.
That's why movies are wrapped in metaphors and allegories. People accept them easier than hard facts.
Let people interpret the story the way they want, instead of giving them one, clear meaning. It's more fun that way.
PS: I doubt he's ever seen it.
Well, he doesn't need to see it. He read an article.
Probably published by the 700 Club, or the like.
DFW, children&art, or whoever he is this minute is just like the ridiculous parents who "hear" something from a friend and then want 'Heather has Two Mommies" pulled from library shelves.
shelves......when as you mention he has neither seen the movie nor read the books.
Like the "christians" who wanted Harry Potter books banned.....
next he'll advocate burning things he knows nothing about....how very Nazi of him
DFW, Pullman's world has a natural moral purpose similiar to the more positive aims of organized religion that has been subverted by a powerful authority (a stand in for the judeo-Christian god). It is not a message of hate but rather a message to live your life meaningfully.
And Pullman's right. As far as we know, it's the only one we're gonna get. Maybe when I die I'll get a mansion and a bunch of whiny virgins but empirically speaking, the odds aren't good. That's the point of having faith, but faith must always be grounded in doubt and practicality. Philip Pullman's message that religion shouldn't be a political force or something to waste your only life on is rather a thoughtful on for kids, I think, a pretty important one for today's world where people wantonly blow themselves (and others) up in the name of the Judeo-Christian God.
Broadway Legend Joined: 5/15/03
DFW, the least you can do is read the books to find out yourself what they are about.
Having actually taken the time to read the entire series, and having found them less and less interesting with each volume, I can say that I can't imagine any child reading the series and suddenly deciding, "Hey! There is no God at all!!"
Actually they definitely had an influence on me when I read them in my teens (they didn't immediately turn me into an atheist but I'm sure they had a hand in leading me there) and I've known other people who reacted similiarly, but then I know people who read and enjoyed them and weren't affected at all. That's the tricky part about provocative books.
I'm surprised you think they get less interesting. The story just gets so operatic and grandiose. Ah well. The huge popularity of the books outside the states means I can't be the only one.
Yeah, I thought the books only got more interesting with each volume. The Golden compass was the most boring, and at first I wasn't going to continue on, but I am so glad I did, because they got infinately better, at least for me.
You know what really bugs me? The fact that Christian groups praise Lord of the Rings as an allegory, when if they had any brains, and would do research on the author, they would know that Tolkien HATED allegory with a passion, and in his preface to LOTR, he specifically stated that the reader must not interpret his story as such.
But people do it anyway and praise it as a righteous allegory that is wonderful for children and such. I'm not saying it's not great for children, and it's bar-none the greatest fantasy world ever created and written, but it's not an allegory and I wish people would stop referring to it as one.
edit: that was slightly off topic. back to the Golden compass thread.
I suppose it's as allegorical as anything is in the sense that it has real world implications but it's certainly not as directly allegorical as Narnia.
You know, I think LOTR is overpraised. The prose is awful and the book puts me to sleep whenever the hobbits disappear for a few chapters. I think the movies are great and all but the battle scenes are SO long and Peter Jackson got Frodo's character completely wrong.
I feel so irritated that for the rest of time every fantasy story will be compared to LOTR when Tolkien himself certainly liberally borrowed for his own story.
"I feel so irritated that for the rest of time every fantasy story will be compared to LOTR when Tolkien himself certainly liberally borrowed for his own story. "
I understand what you mean, Joey, and agree with Peter Jackson, not to mention Wood getting Frodo's character wrong. But I think the reason is because the enormous scale of the universe Tolkien created. From all the books he's written about middle Earth, and all the characters that he came up with, people feel a familiarity with it, and I think it was the first "breakthrough fantasy trilogy" to be published on that scale.
All Fantasy and Science fiction authors borrow from eachother, and they freely admit to it. They call it "the pot" where all the familiar fastastic things preside, and they can take from it and add to it at will, which I think is great, because in a way, it gives a sort of reality in the sense that everyone uses the same base ingredients, and it forms a coherency that is good for readers of the genre.
Broadway Legend Joined: 5/15/03
Well, what can I say? I just didn't like the second two books, especially that third one with the creatures riding around on giant beans. Left me very indifferent, but that first book is really something special.
The prose is awful and the book puts me to sleep whenever the hobbits disappear for a few chapters.
Oh, so true. I have a great appreciation for the universe that Tolkien created, but that said, his storytelling leaves something to be desired.
As to Pullman's trilogy... I think that he had a lot of fascinating ideas and is an engaging storyteller (barring the slower parts of Amber Spyglass), but I can definitely see how some people became less enamored with the story as it went along. The Golden Compass feels almost like it could be from a completely different series compared to Subtle Knife and Amber Spyglass. I liked the latter two much better, but there's always been a sort of divide (a shift of focus, perhaps?) between Golden Compass and the other books that I haven't ever really gotten over.. I agree with the underlying theme of the books and it makes sense to me that Christians are defensive about it, but I don't understand why people feel the need to shy away from anything that challenges their worldviews. I didn't avoid Narnia's allegory because I don't believe in God, nor do I avoid things with more overtly Christian themes. Regardless of your beliefs, they should hold up to challenges and reexamination.
On another note, I wish that people would stop throwing around "atheist" as though it's a high insult. More people with naturalistic views should be up-front about them. Sometimes it makes me extremely bitter that agnosticism is PC while atheism seems to carry implications that one eats babies and kicks puppies.
I totally agree with you. There's a sad misconception that gets perpetuated that religious beliefs are the only things that you can derive moral values from. I find in life the opposite is actually true. People with strong religious values seem to feel they have free reign to be as cruel and judgemental to their fellow man as they like, whereas most atheists I know are very respectful.
One of the much touted examples of how atheism leads to dystopia is communist Russia--but that's such an unfair example because atheism can be subverted into a dogma to control people as well. Anything can become a religion. The point of the matter is to remove religioun from political power.
Actually, I read that the majority of any type of religious meesages were removed from the movie.
"All of that said, Weitz should be commended for keeping Pullman's thematic elements intact. While the Church has become a more generic Magisterium, the ideas of disobedience and questioning authority remain intact. The Golden Compass is the least theological of the books, and Weitz plays down what little religion there was in the first place while keeping the door open for the second and third books, which are far less subtle in their critiques. I hope for this film to be a success only so that I can see how New Line and Weitz deals with blatant gnostic theology and bald faced anti-Church sentiment in the sequels."
http://www.chud.com/index.php?type=reviews&id=12797
Broadway Legend Joined: 7/22/03
First we have dfw criticizing a writer for having "distain" for religion (THINK OF THE CHILDREN!) and then we have Ivan the Renamable claiming to be a screenwriter. The revelations never stop around here.
Broadway Legend Joined: 5/25/05
Just saw it--it's charming. The actors are perfectly cast (especially Sam Elliott as Lee Scoresby) and the little girl is a real find--she brings levels, subtext, and incredible tension to several long scenes she plays opposite computer effects (a trick the adult actors in the STAR WARS and STAR TREK movies have never quite mastered.) I'm glad I went in knowing the story, however--the movie struggles a bit to fit in all the necessary exposition, a problem that's only going to get worse if they film the rest of the trilogy (I think "Amber Spyglass" is unfilmable, myself.) I don't know if the semi-incoherence will prevent it becoming a hit (although incoherence certainly didn't hurt the LORD OF THE RINGS movies). The only thing I hated
(SPOILER ALERT**************************************************)
is that the film ends several scenes before the book's end. This bummed me out particularly since there are several scenes in the trailer that are undoubtedly from the book's final scene. Apparently they filmed the whole thing and the moneymen panicked and made them end it early in order to be semi-"upbeat"--they should have kept their nerve.
As for the religious argument, the Magisterium has become a generic, monolithic organization that wants to rule all the worlds--the heroes of the movie are those who believe in free will. That's the conflict in almost every big fantasy-adventure movie, and there's no way a moviegoer who hasn't read the books--much less a child--could read an atheist message into it.
It's fiction, so, uh, who cares what they author believes?
Broadway Legend Joined: 9/16/07
Shouldn't this thread be called The Golden Compass is the anti-christ?
It's fiction, so, uh, who cares what they author believes?
The bible is fiction, too.
Updated On: 12/8/07 at 01:12 AM
Broadway Legend Joined: 11/2/05
I'm sure that the producers are THRILLED with any and all controversy that is generated. That translates into ticket sales, make no mistake.
Broadway Legend Joined: 9/16/07
I may go see it tomorrow. After I vandalize a nativity scene.
My favorite part is the assumption that a children's book will cement a child's religious belief FOR THE REST OF THEIR LIFE. Upon reading it, they will no longer have the ability to mature, learn, or think for themselves. They will be atheists FOREVER. So the best thing to do, is act like other religious ideas are either EVIL, or don't even exist. It's part 2 of the Christian Right's Teaching Celibacy Series. If you don't read about atheists, then you can never become one. Problem solved! Phew!
Videos