annang said: "
Jose Antonio Vargas has a Social Security Number. Many immigrants who don’t have legal status nevertheless have SSNs, precisely so that they can pay taxes and report income accurately. It makes them more lJkely to qualify for normalization of status if they eventually find themselves in a position to apply."
Yes. He happens to have one that he got with a fake student visa. It's clearly marked "Valid for work only with DHS authorization" (or something similar) (see his old WashPo article disclosing how he got it, and his tweet with the picture of the ssn card). They don't usually give you an SSN unless you can legally work:
Per the Social Security Administration:
"Generally, only noncitizens authorized to work in the United States by the Department of Homeland Security (DHS) can get a Social Security number."
https://www.ssa.gov/pubs/EN-05-10096.pdf
No argument about whether that's a good policy or not.
Given that Jose Antonio Vargas' SSN card says "Valid for work only with DHS authorization" and that he has disclosed that he doesn't have authorization, it would put anyone who want to pay him in a sticky situation. It's unclear to me whether the tickets are considered something given to the Tonys, given to him [as in a gift, which may not require work authorization], or perhaps given and requires a 1099-MISC. Depending on the validity of the underlying number, they may or may not want to issue the 1099.
SomethingPeculiar said: "
Comp tickets are usually listed as $0.00, so there is no monetary value of the ticket"
Just because they write $0 on them, doesn't mean they have 0 value per the IRS. The usual test [at least for those given internally to employees] is whether the event has empty seats of a similar type (so these are "free of cost" to the production). In this case, prime orchestra seats (depending on the production) certainly have value. Consider "Sunday in the park" which didn't go for the Tony: Some were arguing that was because the cost of the seats they would give up (to nominators, voters) would turn it from a hit to a flop (in the industry parlance). Those tickets would have had a value no matter what they print on them.
Of course, this could all be moot. I have no idea how the producers account for the tickets nor of their tax treatment. Hogan? Any insights?
My guess is that Rudin is an ass is the answer