SomethingPeculiar said: "I wonder ifHadestownwas actually eligible in Best Musical but it didn't get enough votes? I understand Book, Score, Gray, and Page not being eligible, but it would beweirdif it had been deemed ineligible for Musical but eligible for Director.
Part of me wonders if it was eligible for Best Revival and got shut out, or the producers didn't want to create some confusion for its Tony campaign. To be elligible for the Tony for Best Revival, a production of a new work must not of played in the New York City for 3 years after its closing. I am assuming the Drama Desks have a similar rule. Hadestown opened at NYTW a little under 3 years ago, but technically only 2 awards seasons ago as it was nominated in 2017 for Best New Musical and lighting design. Great Comet and Dear Evan Hansen had eligibility issues in 2017 which is likely why Hadestown snagged a nomination in the first place. Considering Hadestown was nominated in nearly all of the technical categories this year I don't see why producers didn't request the show be considered a revival since everything outside of the written words and the performances of Page and Gray are new.
The fact that Page and Gray are both in very competitive categories and aren't eligible in any of the precursor awards does not bode well for their Tony chances, akin to to what happened to the supporting cast of Great Comet.
Updated On: 4/25/19 at 02:13 PM