ALMOST FAMOUS On Broadway - Reviews & News Thread
KevinKlawitter
Broadway Legend Joined: 1/21/20
#226ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 11:09am
Michael Cassel will never give up on this.
DaveyG
Broadway Star Joined: 8/11/05
#227ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 11:22am
Has there ever been a show that flopped hard on Broadway, went back into development and ended up successful? I can't think of one.
#228ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 11:45am
Addams Family was revised quite a bit for the tour and has gone on to become a staple in licensing.
#229ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 11:48am
Seussical also was heavily revised and has been incredibly successful post-Broadway.
Of course it doesn't hurt that the Addams Family and Seuss brands are much stronger and appeal to a wider age range than the Almost Famous brand.
#230ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 12:06pm
I’m sure “Merrily” counts as a revised success.
#231ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 6:28pm
I would add Amélie to that list, though probably to a lesser extent. It got basically a complete rewrite and was very well received in London.
I saw this at the O'Neill Center thought it was better. I actually, still, haven't gotten around to watching the original movie (and somehow I've seen the musical twice now lol), so I can only evaluate this as its own independent work. It was mostly sung through; a lot of the existing rock music was taken out, except Tiny Dancer and Ramble On. Damon was fantastic, and it was nice to see Lola Tung, though I felt that after seeing Solea on Broadway, Tung could not even come close.
#232ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 6:36pm
Women on the Verge also did well in London, though I don’t know how different it was from the Broadway, which I didn’t see.
I had a great time at it in London. David Yazbek really is a wonderful writer for the theatre. His Full Monty and Scoundrels should really be the Hello, Dolly and How to Succeed of today, with runs of five or six years. Great musical comedies with recognizable American archetypes.
He feels a bit like the Jerry Herman or Lloyd Webber to JRB’s Sondheim.
#233ALMOST FAMOUS On Broadway - P/reviews Thread
Posted: 9/8/25 at 6:38pm
Thanks for the review, lastmidnights. So, it's sung through and shorter? That's interesting as the book didn't drag for me at all. Did they change the characters at all? I can't imagine Lola as Penny, honestly.
I think if you bring a movie musical to Broadway, it should elevate the original material which it did not in New York. I'm not sure if they would ever bring it back here but perhaps it has a life in regional theater.
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