I saw this last night and, much like a puzzle, once you start getting the different personality components of these characters laid bare by the introduction of a polarizing painting, then everything starts to come together and you’re in for a very good, if not great evening of theatre. Once Corden has his big monologue about his tardiness, that’s when things really start to take off. Cannavale holds his own as the strong sort-of cultural elder statesman, and NPH as his “protege” of sorts, and watching them unite and break apart while engaging with Corden (decidedly neutral, and thus making a very good, if unwitting, puppetmaster) is a strong exercise in ensemble dynamics. In a show like this, you have three stars who are each very distinct, but can outshine each other at any moment and they don’t. That’s where the magic lies, especially when know Corden to be very much a ham and could craft Yvan in a way that makes him the focal point and derail everything. I think Corden is actually really worth the trip to see since he is really flexing a LOT of the comedy muscles here that we found enjoyable and endeared us to him in the first place.
You can see why this is a popular play all over the world - Yasmina Reza is a master of the comedy of manners without the manners. Everyone is polite and civil, but with the acid on their tongue and knives behind their back ready at a moment’s notice.
They also all came out the stage door. Very nice - signed and took pictures with everyone. They also were quite chatty and loved to discuss the play with anyone. (There were the usual autograph hunters, but whatever).
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