I totally agree with BettyBoy... Bebe must be thinking to herself: I study ballet at Julliard, win 2 Tony's as an expert interpreter of Fosse (under his direction, no less), perform Brecht/Weill in a midnight show as few can and now I'm singing dumpy Lippa songs posturing next to Nathan Lane mugging for 2 and 1/2 hours.
I REALLY want it to be good, but f*cking the audience with super exorbident ticket prices out-of-town (and, no, YOUNG FRANKENSTEIN's prices did NOT set this precedent) when a $40 million musical written by the biggest band in the world and directed by one of the most visionary directors (TURN OFF THE DARK) is premiering in the same season, as well as the sequal to most successful musical in Broadway history (LOVE NEVER DIES) and the surefire smash musical comedy that guarentees to be an effervescent elixir besting HAIRSPRAY, by the same brill team (CMIYC).
The odds are against them at AF... and Lippa has not yet written anything to even remotely interest me, let alone thrill me. Cheap thrills, at that.
From what I've heard of the scores of TURN OFF THE DARK, LOVE NEVER DIES and CATCH ME IF YOU CAN, Lippa better write something on the level of COMPANY to even be noticed this rich season and for some reason I don't think this project is it. I desperately hope I'm wrong because the cast and concept are so promising.
P
Updated On: 6/10/09 at 10:23 PM