#1
Posted: 5/2/09 at 12:46am
He seemed to be the new whiz kid on the block last year with In The Heights, but his work in 9 to 5 didn't seem to resonate with many of the critics. I wonder if he'll fare better with The Wiz?
VARIETY
"Blankenbuehler's "In the Heights" moves were an organic physical expression of those characters' desires. Here, his slinky dance idiom is out of sync with the comic tone. His fussy scene segues, coupled with the cumbersome hydraulic shifting of panels, pillars, desks and overhead lighting tracks in Scott Pask's busy office set, inhibit momentum and crowd the characters."
Associated Press
"Andy Blankenbuehler's choreography seems to celebrate the late 1970s, not exactly disco but very "Saturday Night Fever," with arms and legs flailing."
Ny daily news
"Choreographer Andy Blankenbuehler ("In the Heights") has pounced hard on the notion that the boss is a jerk, but the many herky-jerky dances get repetitive and distracting."
Backstage
"Andy Blankenbuehler's choreography does well in the office scene changes, creating a unique physical style that seems to reference 1970s disco moves but incorporates the frustration of these unhappy workers. Unfortunately, his work in the production numbers is never more than serviceable."
The Wall Street Journal
"Andy Blankenbuehler's pointlessly busy choreography seems to have been designed to cover up the dramatic inertness of the score: The dancers never stop moving. (Neither do the sets.)"
AM NEW YORK
"Andy Blankenbuehler?s choreography is frenetically excessive and distracting, only serving a real purpose in the title song."
VARIETY
"Blankenbuehler's "In the Heights" moves were an organic physical expression of those characters' desires. Here, his slinky dance idiom is out of sync with the comic tone. His fussy scene segues, coupled with the cumbersome hydraulic shifting of panels, pillars, desks and overhead lighting tracks in Scott Pask's busy office set, inhibit momentum and crowd the characters."
Associated Press
"Andy Blankenbuehler's choreography seems to celebrate the late 1970s, not exactly disco but very "Saturday Night Fever," with arms and legs flailing."
Ny daily news
"Choreographer Andy Blankenbuehler ("In the Heights") has pounced hard on the notion that the boss is a jerk, but the many herky-jerky dances get repetitive and distracting."
Backstage
"Andy Blankenbuehler's choreography does well in the office scene changes, creating a unique physical style that seems to reference 1970s disco moves but incorporates the frustration of these unhappy workers. Unfortunately, his work in the production numbers is never more than serviceable."
The Wall Street Journal
"Andy Blankenbuehler's pointlessly busy choreography seems to have been designed to cover up the dramatic inertness of the score: The dancers never stop moving. (Neither do the sets.)"
AM NEW YORK
"Andy Blankenbuehler?s choreography is frenetically excessive and distracting, only serving a real purpose in the title song."
Updated On: 5/2/09 at 12:46 AM