I managed to see Angela Lansbury in every show in which she performed in her heyday, i.e.,
-- Mame: 4 times. The memory of seeing it the first time was so incredible that I remember the date in which I first saw it: Saturday matinee, June 25, 1966.
-- Dear World: 3 times (including Boston tryout). A show whose whoie was less than the sum of its best parts. She was magnificent, much of the score was wonderful (the title song didn't fit and had some of the most inane lyrics ever), and there were some beautiful numbers, but it was just too bleak and the production was inflated...it should have been performed with a small cast in the Booth but played the large Mark Hellinger instead.
-- Prettybelle: 1 time Boston tryout. Terrible show that deserved to close, but she was great as always; she had a number in the second Act, When I'm Drunk, which woke up the theatre and then brought it to cheers. A great performance in a rotten show.
-- Gypsy: 5 times (including Boston tryout and !!! The Westchester Premiere Showcase
-- Sweeney Todd: 4 times
-- Mame Revival: 3 1/2 times (I had to catch a plane, but it was going to be my last opportunity to ever see her in it, so I was only able to see the first act).
-- A Little Night Music: 1 time
-- Deuce: 1 time
-- A Small Family Business: 1 time
-- The King and I: 1 time
-- Blithe Spirit: 2 times
-- The Best Man: 1 time
-- Driving Miss Daisy: 1 time (just happened to be celebrating my 40th wedding anniversary in Melbourne, Australia, when she and James Earl Jones performed it Down Under).
I have never seen another performer as many times, at least in a lead role; I would have seen them even more, but I was only 16 when I first saw Mame, so money (and living in NJ) was definitely a major constraint.
To this day, I consider her performance as Mama Rose the single greatest musical performance I have ever seen, and I would rank her performance as Mame in the top 5. But she was great in almost everything. The only show in which I did not love her performance was in her three-week engagement as Anna in The King and I. She sang her songs with her throat voice, and it just seemed forced, but you had to give her credit for taking on that role for only three weeks.
I doubt that there will ever be anyone in my remaining lifetime who will ever come close to her greatness on the musical stage, just as no one has achieved the same level of greatness thus far. The Pattis and Bernadettes and Chitas and Suttons and Audras and Gwens have all given great performances, some on more than one occasion, but she is Mount Olympus.
PS -- I must be a savant or something...I have always had an incredible memory for numbers.
Updated On: 10/12/22 at 05:19 PM