givesmevoice said: "I always wondered why Klausner didn't replace LuPone as the main Eva, either when they were out of town and LuPone struggled so much with the vocal demands of the role, or when LuPone's contract ended. I guess she didn't stick around for the latter, but does anyone know anything about why the former didn't happen? The show was not being sold on LuPone's name, so why not replace her with someone who didn't, to my knowledge, have the same problems with the score?"
My husband worked in casting
at the Prince office during EVITA's
long run. I saw many, many Evas
and also many auditions, and
eventually concluded they
WANTED girls who struggled
a little with the score.
I know that sounds unlikely, but
I took an opera course in college
where the instructor talked about
the problem with Yma Sumac and
her six-octave range: there was
no tension in her high notes
because she could sing
another octave or so higher.
At the same time I had a friend
who belted the entire score
of EVITA with nary a break
into head voice. But Eva's high
notes weren't a strain for her;
she had another half-octave
in her. She auditioned for the
Prince office many times and
always made the final call-
back, but was never cast in
the show. Maybe they didn't
think she was quite right (though
other directors hired her for the
show all over the country), but
then why keep calling her back?
My best guess was that she,
like Sumac, just didn't give the
walking-a-tightrope thrill on
the high notes.