Bare the musical 2010-2011 Broadway season, anymore info?
Posted: 2/28/10 at 1:14am
Updated On: 2/28/10 at 01:14 AM
Posted: 2/28/10 at 1:20am
Oh this is a little random but Michael Arden wrote a song for The Battery's Down "Don't You Dare Stop Singin' 'Bout Tomorrow" and it is pretty much my favorite song from that show.
Updated On: 2/28/10 at 01:20 AM
Posted: 2/28/10 at 2:11am
Posted: 2/28/10 at 2:14am
Also, BARE has a huge fan base. When they started selling the concept recording, they sold out on the first day. I was one of the folks that tried to order the next day and I had to wait until they got more made.
Updated On: 2/28/10 at 02:14 AM
Posted: 2/28/10 at 2:31am
Posted: 2/28/10 at 2:34am
Updated On: 2/28/10 at 02:34 AM
Posted: 2/28/10 at 2:45am
Who cares what anyone else thinks, as long as you like it that's all that matters.
Posted: 2/28/10 at 2:45am
Solution? Maybe a tour on a small scale in small, select venues, or a full commercial production in a secondary market? But BROADWAY? I love the show... but it would be lost.
Updated On: 2/28/10 at 02:45 AM
Posted: 2/28/10 at 2:48am
Posted: 2/28/10 at 3:05am
The producers held a reading in New York with a starry cast in February of last year to attract potential investors, but they weren't able to raise enough money to actually get the show on its feet.
I imagine this incarnation is permanently dead now (I would venture to guess that Damon Intrabartolo's recent legal problems haven't helped matters.)
Tony Kushner: You can sing it at my funeral.
Updated On: 2/28/10 at 03:05 AM
Posted: 2/28/10 at 3:36am
But yes, its the same producers who were unable to get the show up in SF. So the next step is Broadway, LOGICALLY. (sarcasm).
Posted: 3/2/10 at 11:49pm
Posted: 3/3/10 at 6:44am
Posted: 3/3/10 at 11:13am
That said, to claim, as some have, that there's a "huge" audience for this is, I think, misleading. There may be pockets of support here and there, but if there really was a huge potential audience, a commercial NY production certainly would have happened by now.
Posted: 3/3/10 at 2:43pm
that sparked real Broadway interest. SF only didn't happen because both the Marines Memorial Theatre and the Post Street
Theatre (the only two venues of choice in SF for bare) stopped
functioning as legit, commercial houses. So Broadway was the next logical choice, and the authors, who believe in these producers, actually granted Broadway rights, which the producers did not have during the reading for SF.
Updated On: 3/3/10 at 02:43 PM
Posted: 3/3/10 at 8:44pm
Posted: 3/3/10 at 11:47pm
It could be argued, that those two venues are absolutely not right for the show.
Posted: 3/4/10 at 11:23am
Posted: 3/4/10 at 3:29pm
I fell in love with the show a decade ago when it played @ the Hudson Theater in Hollywood. John Torres will always be Peter to me. In fact, with all due respect to the NY cast, the LA cast was pure magic on that stage. I agree it is well served in a small space, but could reach new heights in one of the more intimate broadway houses...where it has always deserved a home.
"bare - a pop opera" should have opened years ago at what is now New World Stages. maybe it still should. amazing venue with terrific bathrooms. as with most foiled creative ventures...it all came down to $. or the lack thereof. somebody should give it another shot. done right again, perhaps with some trendy stunt casting for a chunky advance (archuletta?) - I think this show would be HUGE.
Posted: 3/4/10 at 5:17pm
Well the LA production was VERY raw, small, and in your face.
The New York production at ATA was obviously being groomed for a glossy production at then Dodger Stages.
The NY production, for me, didn't work artistically as well as the LA production for that reason. It was too pretty... from the gorgeous cross window above the stage, to the use of all the platforms (I know, they're part of the actual space), and the rock concert lighting (I know, LA had big lighting for that space, but it was still more intimate). At the Hudson you felt at times like you were on top of the stage it was so small.
A glossy, big-produced BARE just doesn't pack the emotional whollup of a smaller, more raw, intimate BARE. Evidence? BARE ran extension after extension, recouped, and turned a profit in LA, where it was a big hit. In NY, with a bigger production budget, and goals for a bigger venue... dud.
Posted: 3/4/10 at 5:46pm
-Danmeg's 10 year old son.
Posted: 3/4/10 at 8:51pm
Posted: 3/4/10 at 9:06pm
Posted: 3/5/10 at 8:51pm
BroadwayWorld TV