Re 18th Feb:
Where will it end? BETM lifted me onto a new plane this afternoon, though I have seen it more often than I would care to admit. The best two words I can think of to sum up the experience are Liam and Mower!
A while ago, someone posted a poll on the fansite asking us to identify our favourite dance. Obviously, we all love all of them, so it was a difficult one. It was noticeable, though, that very few of us singled out Swan Lake, even though this is a very effective and pivotal moment in the musical, a moment that shows Billy a glimpse of a possible future and gives his dad the first inkling of something special.
I think the reason for this is that it is intensely difficult for the boys to really shine at this point. They are cirumscribed and hedged in by the tightness of the dance's form and by the need to synchronise. And they have to dance in the shadow of a real live, professional, fully-formed (stop sn*ing!) ballet dancer. That observation has, to some degree, been justified by every performance I've seen.
Every performance, that is, until today's. Today Liam simply transcended all the difficulties of this number to give the most breathtakingly poised performance I have ever seen. The older Billy had only to take his lead from every move that Liam made to know that he was in safe hands throughout. Today you could almost believe that it wouldn't have mattered if they'd forgotten to attach the wire; Liam would simply have taken off all by himself!
It was the first time I'd seen Liam since August. It was very noticeable that he's worked on his voice to very good effect. Someone has got him to lengthen his vowel sounds and, in some cases, to join a couple of short winded phrases into one long phrase. This has made a big difference to the general line of his singing.
His acting is also perfect for the role. His lovely, gentle, solemn demeanour is extremely effecting, but the way he manages, at the same time, to convey the fire within is very subtle. I suspect this interpretation is built up from his own personality.
But, ultimately, you have to return to the dancing. What I have noticed about Liam is that he never ever stops looking like a dancer. Every step, every turn, every inclination of the head is exquisitely poised. So that when he goes into a mesmorizing set piece like Electricity, it is simply a natural extension of his persona. He is the walking, talking personification of Diaghilev's ideal!
Well, I've done quite a few reviews and I've praised all sorts of people, so today I'm just going to start and finish with Liam Mower. Liam, you're a star!
Updated On: 2/21/06 at 04:18 PM