Cast Recordings you regret buying — Page 3
Posted: 4/15/07 at 3:07pm
I dont know, its hard to see them go... crazy right.
Alright, I'll get over it, and slap myself.
Posted: 4/15/07 at 3:21pm
It was awesome. - theaterkid1015
Posted: 4/15/07 at 3:23pm
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
Posted: 4/15/07 at 3:41pm
I regret purchasing Jersey Boys, The Color Purple, and Tarzan, I think. I hardly ever listen to them, to be honest.
Posted: 4/15/07 at 3:44pm
Posted: 4/15/07 at 5:37pm
*Spring Awakening
Posted: 4/15/07 at 6:20pm
I listen to those, too, Ahmelie! (don't have album) Any surprise, though?
Also-
Color Purple-I listened less than 1 time to this (didn't buy, so I didn't waste money.) It made me fall asleep, literally.
I have both versions of The Wild Party, only listen to LaChiusa's (and that's hardly ever!)
Selections from Sunset Blvd. with Glenn Close-listened a few times, then my ears hurt too much from her horrific singing.
Jesus Christ Superstar anniversary recording-do like the Mary Magdalene on there
Stopped listening to Cats ages ago
Posted: 4/15/07 at 7:14pm
Posted: 4/15/07 at 7:39pm
The Likes of Us
Sherry! (musical version of The Man Who Came To Dinner)
and I actually really like I Love You Because. I really wish I could have seen it.
~Dirty Rotten Scoundrels~
~Curtains~
~A Tale of Two Cities ~
Posted: 4/15/07 at 7:47pm
Some scores take 2-3 listens to fully appreciate and the best scores provide more enjoyment with repeated listens.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 4/15/07 at 7:48pm
I must have known not to open it before my trip to NY. I generally rip into cast recordings as soon as I get them, but I didn't open that one before my trip.
Generally, my favorites or most recently seen shows are the ones that get the most play. Then I'll move on. So while I haven't listened to Hairspray in forever - it got a good amount of play after I had a chance to see the tour.
Posted: 4/15/07 at 7:56pm
Posted: 4/15/07 at 8:05pm
So yeah, if I ever do completely give up on a recording, I promise it won't be for want of trying.
Posted: 4/15/07 at 8:11pm
With ITW--tho it was the score that got me into SS I'd recommend watching the DVD if you're havign troubles--I think it'll make you connect a lot more with it
Posted: 4/15/07 at 8:15pm
I did find ASSASSINS easy to get into. It only took one listen and I was hooked. SWEENEY only took a couple. I'm possibly just an awkward person. ^_^
Posted: 4/15/07 at 8:18pm
Posted: 4/15/07 at 8:22pm
Posted: 4/15/07 at 8:28pm
It sounds like it was recorded in a tin can, and except for Hepburn having fun in the title role, (in spite of the fact that she really can't sing) the score is really dreadful.
I'm not a fan of Andrew Lloyd Webber, except for Evita, so I don't listen to most of that stuff anymore, and I've had quite enough of most musicals. I try to listen to the more fun and obscure stuff, but I am a big opera fan. The one I've just discovered and love is Dvorak's Rusalka.
Posted: 4/15/07 at 8:40pm
Posted: 4/15/07 at 8:43pm
Posted: 4/15/07 at 9:00pm
The 96 London is worth seeing on TV (the filmed version) but as a listening experience I agree it doesn't offer much.
the 95 one has great vocals but just comes off as so clinical -- Tunicks' tiny new orchestartions not helping. Too bad cuz I love Monk, LaChanze, etc, etc but ya... (then again it's near impossible to top the OBCR of COmpany excepting maybe Larry Kert's new recordings for London)
Someone mentioned the film soundtrack of Night Music--I know i'm in the minority but this is actually one of my fave recordings of the score! The voices are all excellent with DIana Rigg being definitive IMHO and Len Cariou being even better with his role than he was on Broadway. I prefer Henrick/Erick being in his new key. Of course many great songs are cut but the new order of Now/Soon/Later works better for me and I *love* the new Glamorous Life. And Tunick has refined hi sorchestrations (the added strings in Little Death are particularly gorgeous)
Posted: 4/15/07 at 9:13pm
Posted: 4/15/07 at 9:16pm
Posted: 4/15/07 at 10:08pm
Anyway:
- Dirty Rotten Scoundrels - I'm sorry, but I can't stand the score
- Wicked
BroadwayWorld TV