Who are some composers you want to see write more hits (or just shows) and be able to make into the pantheon of remembered theatre writers of our day? This can also include composers that have written for stage but aren't really considered theatre composers (for example, the Sherman brothers, Alan Menken), or writers with a few hits but pluaged with problems picking the best edition of their shows (i.e. Wildhorn) and they're legacy is suffering for it.
I have several names, one is Julian2. I am also The Opps Girl. But cross me, and I become Bitch Dooku!
In my opinion, he's one of the only people writing meaningful music in the theater today.
I'd also like to hear more from Bock and Harnick, if they ever decide to work together again.
And Maury Yeston also writes incredible music and I wish he would do more.
I'd also like to hear contemporary opera composers try their hands at musical theater.
People like Jake Heggie, Christian McCleer, Mark Adamo (who has written some fun songs, including a great piece called Thoroughly Postmodern Millie (Twelve tone Rose))
"Fenchurch is correct, as usual."
-Keen on Kean
"Fenchurch is correct, as usual."
- muscle23ftl
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
I love the works of Sondheim, Herman, Ahrens & Flaherty, Kander (and the missed Ebb), Jason Robert Brown, etc. However, I wouldn't want to force them to work! Sure, I'd LIKE to hear more from them, but only if they have a passion to tell another story.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Guettel is terrible...how could you request him....Flaherty and Ahrens...but something modern day...Kander and Ebb...Menken is good...Sondheim...Krieger!!!!!...Maltby
Kreiger is composing THE PINK FLAMINGO which is workshopping this spring.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
i've missed that one - princess bride with guettel? absolute bloody genius! can't wait!
for me JRB, sondheim, guettel, Lippa, flaherty and ahrens, hamlisch, hollman and kotis (urinetown), marc shaiman, duncan sheik, alan menken (but in some lighter moments, he can get a bit saccharine when not in a fun vein).
Debra Abramson, Jeff Blumenkrantz and Steve Marzullo are best known for 'stand alone' songs, but all three are wildly talented and should be writing stage musicals.
Scott Frankel: Can't wait to hear what follows GREY GARDENS.
Debra Barsha: RADIANT BABY is a great score and underrated show. She's gotta do more!
Steve Lutvak: His workshopping KIND HEARTS & CORONETS is terrific.
I would like to hear more from Adam Guettel and Andrew Lippa.
"If this is going to be a Christian nation that doesn't help the poor, either we have to pretend that Jesus was just as selfish as we are, or we've got to acknowledge that He commanded us to love the poor and serve the needy without condition and then admit that we just don't want to do it." -Stephen Colbert
Adam Guettel, Jason Robert Brown, and Michael John LaChiusa
"This is wanting something, this is reaching for it, this is wishing that a moment would arrive. This is taking chances, this is almost touching what the beauty is."