Featured Actor Joined: 2/19/08
Youtube search Jonathan Larson's song "Sunday"
and look up Stephen Sondheim - Sunday in the Park with George's "Sunday"
portions of the lyrics are identical. the end is practically identical
the "bum bum bum" part is identical.
WHATS GOING ON?
(please note: that is a sarcastic post. I obviously KNOW he didn't steal it. i was just wondering the history behind it)
Updated On: 5/31/08 at 03:45 PM
lmao
lmao
lmao
just
lmao
Broadway Legend Joined: 2/17/06
He didn't. Sondheim did it first.
Larson did it later as a tribute to Sondheim.
oh
my
gah
Woooww, are you that dense?
Featured Actor Joined: 2/19/08
i didn't know X_X
lol sorry i didn't know the order of when the songs were written. my post was sarcastic, i knew there was some explanation behind it, i didn't think he actually STOLE the song. I guess sarcasm isn't obvious in writing.
thanks for the explanation. anyone have more details? its interesting
Stand-by Joined: 6/1/06
Yes, Sondheim stole the lyrics to a song written years later by Larson, cause he's psychic like that.
In seriousness, no, Sondheim wrote "Sunday" first, and Larson's version came a few years later as a tribute of sorts to Sondheim.
Featured Actor Joined: 2/19/08
Larson was able to include that song in Tick..Tick...Boom? I wonder if he bought rights. I prefer Larson's version, my complaint about sondheim is many of his songs lack unique melody, often lacking significant melody at all, and it seems Larson added the boost of melody for me to love the song
my complaint about sondheim is many of his songs lack unique melody, often lacking significant melody at all, and it seems Larson added the boost of melody for me to love the song
- Lmao again. I am SURE Sondheim has never heard that complaint before!
And ps. Did your really just insinuate Sondheim's SUNDAY isn't a melodic song? Wow. One of his best melodies.
Updated On: 5/31/08 at 03:56 PM
Featured Actor Joined: 2/19/08
Sunday is one of his more melodic, but many of them his songs have complex backups with short phrases (sweeney todd has a lot of these, and "finishing the hat")
his style does not have the smooth and obvious melodies like...Andrew Lloyd Webber, for example.
Into the Woods has good melody, Company doesn't have as many. Its one of his unique styles
many of the melodies he does have are very similar to eachother.
Aw man, I fell out of my chair! Thank you so much for your posts in this thread OP! Hahahaha!
"his style does not have the smooth and obvious melodies like...Andrew Lloyd Webber, for example."
That's a good thing to not compose like Webber. Anyway, you obviously haven't listen to his other shows because 'A Little Night Music' and 'Follies' prove he can write smooth and obvious melodies. It is more evident in 'Follies'.
Geek. Don't even bother trying to explain this to a 13 year old.
I can't even come up with a witty response....I just can't.
Featured Actor Joined: 2/19/08
clearly you guys don't agree with me. no need to be rude. most of my friend's don't agree with me, but my music teacher does.
i think the thing that makes sondheim's music recognizable is his unique patterns i mentioned above. For me, if i hear any song of his, even one i haven't heard before, i know instantly it's his.
I play violin and cello, both for about 10 years now. I do know a lot about music, i'm not speaking without any experience. if you don't agree with my assertions, thats fine.
please refrain from rude comments. i would like to hear your arguments though. so please explain
Broadway Legend Joined: 2/20/04
Larson essentially turned Sondheim's harmonic structure upside down.
For those who know music theory, Sondheim's "Sunday" starts on a tonic (roman numeral "I") chord, moves to a subdominant ("IV") chord, then back to a tonic ("I")on the first phrase. Larson's version starts on the subdominant "IV" chord, goes to the tonic "I", then back to the subdominant "IV".
Haha ljay I know, I just couldn't resist. If they don't find out now, imagine the horrors that will ensue them when they ask a question like that to Sondheim himself!
Something seems wrong if someone with musical experience says SUNDAY (Sondheim's) doesn't have a melody.
Featured Actor Joined: 2/19/08
To Jon, yes i know music theory, i picked up on Larson's transition, and to me that version flows more fluently than Sondheim's. Sondheim chooses to have a group of people song portions, and his lead to sing as small phrases, so i think his intention was for a less fluent song. But Larson's parody is a one-man kind of relflection, so the melody stayed more pronounced
actually, in the sheet music Larson's "Sunday" is described as "Sondheimian"...
"But Larson's parody is a one-man kind of relflection, so the melody stayed more pronounced"
It was more of an homage-parody than a parody.
I actually hate you. I don't even know who you are... but I hate you.
"clearly you guys don't agree with me. no need to be rude. most of my friend's don't agree with me, but my music teacher does. "
Is this your music teacher???
no, seriously. you ask to refrain from "rude comments" but it's just not possible when I read this thread.
- You don't know when SITPWG was written??? I mean, c'mon.
- Larson is dead (irrelevant, but still.)
- There was no "stealing" ... meant as a tribute, of sorts.
- I'm not a huge Sondheim freak but as a musician myself, I'm finding you to sound really stupid. Your arguments make no sense.
I don't want to add to the "rude" comments, but, if your original post was an attempt at "sarcasm," then you obviously don't know what sarcasm is.
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