"Smash" and The Addams Family actress Krysta Rodriguez is set up with "Chuck" star Zachary Levi on a First Date in the new Broadway musical comedy that begins performances July 9 at the Longacre Theatre.
The work, which received a Seattle premiere co-produced by A.C.T. and the 5th Avenue Theatre, features a book by Austin Winsberg ("Gossip Girl"), with music and lyrics by Alan Zachary and Michael Weiner (Secondhand Lions, Twice Charmed), who began writing songs together in high school.
Yeah, I don't remember a more "dead-on-arrival" word of mouth in a long time... Even SCANDALOUS seemed to have more going for it than this... I haven't seen it, so not giving an opinion... Just seems in the dead of summer, to open a show such as this, and not really do much marketing beyond some signs on taxis, and have this word of mouth..... In the old days I'd say it'll close in previews, but everything opens these days, so I give it 3-4 weeks beyond opening.
I loved all but the last three episodes of Chuck and am excited to see Zachary Levi on stage. His small screen co-star already set the bar pretty high with her Broadway debut last season, although she obviously had some pretty amazing material to work with. I hope the easy charm and goofball humor that he excelled at on TV will be on display at the Longacre this evening.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
I'm probably gonna go sometime this week, I'm kind of quietly optimistic about the show itself. I do think the concept can be a rich one to work with, but it all depends on execution. My friend in Seattle said she'd heard good things about the run out there, but she hadn't seen it herself.
As for the business end, I don't see many ways this becomes a hit at all, but I also personally don't think it'll be as D.O.A. as SOUL DOCTOR. But that's not a stance I'm likely to defend with anything remotely approaching vigor.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Let's not forget that people said the same things about the possibility of success for: N2N Once Pippin Peter & the Starcatcher Rock of Ages And who knows what other shows.
That being said, it sounds like a dud, but perhaps we will be surprised. We can hope.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Even if people said the same things about those shows (which I don't recall) the factors weren't the same. This one is DOA with its opening date, increased competition during an already successful season and Off-Broadway premise at Broadway prices.
"Pardon my prior Mcfee slip. I know how to spell her name. I just don't know how to type it." -Talulah
I saw the show out in Seattle and really enjoyed it. I also saw the recent reading they did and the changes they made were very smart.
I'm very excited for it. Sometimes Broadway needs something light and fun! Everyone thought XANADU was going to be a dud because who would ever think a stage musical of XANADU would be a good idea.
Good to also point out that people said the same things about the possibility of success for: Hands On A Hardbody Chaplin Bring It On Lysistrata Jones Scandalous Leap of Faith Ghost On A Clear Day you Can See Harry Connick Bonnie and Clyde Wonderland Jeckyl & Hyde The People In The Picture Baby It's You Catch Me If You Can Women On The Verge of Closing Early Bloody Bloody Early Closing Notice Come Fly Away 9 to 5 The Story of My Life 13 A Tale of Two Cities
I just bought a rush ticket for this (it also seems you can buy more than one) so I will be seeing it tonight! I've been in the mood for a light and fun show so I'm pretty optimistic about this.
Lets not forget the starry Broadway premiere of THE MOTHERF*CKER WOTH THE HAT, that almost capsized in previews until Oprah's blessing
More like Ben Brantley's rave, followed by about a dozen articles in the Times promoting the show. (It was also one of those rare instances where a show used the preview period to make necessary changes and actually got better.)
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
FYI - I nabbed two rush seats at 1:00 this afternoon in Orchestra, Row P. Box Office attendant had said he'd sold a lot, and had more to sell. So get thee to the theater!
"I know now that theatre saved my life." - Susan Stroman
I'm glad I'm not the only one who thought it's going to close early. The one song that's up on YouTube I love (Safer), and I adore Krysta Rodriguez and Zachary Levi. But I'm pretty sure it's going to be a flop. For one thing, it's opening during the summer. Why, oh, why would they do that, unless they're hoping that it will become a tourist show. And I'm pretty sure that's not what they're going for. Who knows, though?
Wondering why the idea of a summer opening seems to equate a flop, I looked at past summer openers:
Anna Karenina, Aug 26, 1992 – 46 perf Camelot (revival), Jun 21, 1993 – 56 perf She Loves Me (revival), Jun 10, 1993 – 354 perf Chronicle of a Death Foretold, Jun 15, 1995 – 37 1776, (revival), Aug 14, 1997 – 333 perf An Evening with Jerry Herman, Jul 28, 1998 – 28 perf Kat and the Kings, Aug 19, 1999 – 157 perf Hairspray, Aug 15, 2002 – 2642 perf The Boys from Syracuse (revival), Aug 18, 2002 – 73 perf Avenue Q, Jul 31, 2003 – 2534 perf Big River (revival), Jul 24, 2003 – 67 perf Dracula, the Musical, Aug 19, 2004 – 157 perf The Frogs, Jul 22, 2004 – 92 perf Lennon, Aug 14, 2005 – 49 perf Kiki & Herb: Alive on Broadway (limited run, yes?), Aug 15, 2006 - 27 perf Martin Short: Fame Becomes Me, Aug 17, 2006 – 165 perf Grease, Aug 19, 2007 – 554 perf Xanadu, Jul 10, 2007 – 512 perf [title of show] , Jul 17, 2008 – 102 perf Hair (return of a revival), Jul 13, 2011 – 67 perf Spider-Man: Turn Off The Dark (running for 7? 8? Months), Jun 14, 2011 – 859 perf Bring It On The Musical, Aug 1, 2012 - 171 perf Fela! (return engagement), Jul 12, 2012 – 28 perf
Two-three genuine hits in there (in the past 21 years, out of 23 shows), at least 13 real flops, and a few in between.
Like any time in the year, it's a risky business, but maybe more so in summer.