I'll write more later, but after seeing the full production I loved it even more the second time around. Tesori and Kron have grown and shaped the piece into something wonderful and Sam Gold has brought an exquisite touch to the whole thing.
Unlike the stale use of the turntable in A Time To Kill, Gold cleverly puts all of Alison's memories together on the exposed spinning circle to create a swirl of memory and illusion. Like the table in Arcadia, Gold's turntable fills up as each story is recounted until it contains the whole relationship she shared with her father.
The cast is just perfect. Each member deserves a paragraph rave. I was worried about Cerveris because I enjoyed Martin Moran so much (plus I always am scared that Michael is going to pull a straight razor out of his pocket and start slaughtering his castmates), but he is doing EXCELLENT work here. I love this cast so much.
I can't stop humming "Changing My Major To Joan." I need to have this song on my iPod. Now. There isn't a clunker in the entire score. Judy Kuhn has a "Dividing Day" type song near the end that is stunning. The youngest Alison, who is giving a knockout performance, nails her two big numbers. The two fantasy numbers are a blast; the Fun Home commercial stopped the show tonight.
I find it very difficult to go to theater, shut my brain off and let myself become completely immersed in what's happened on stage. Fun Home was such a joy because I was able to lose myself entirely in the piece, which is especially not an easy task when I knew I had the premiere of Scandal to come home to!
This joins The Glass Menagerie as the must-see production of the fall. Congrats to all involved.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!