#51
Posted: 3/31/06 at 12:28am
OKLAHOMA
The overture itself is so beautiful (and corny and camp but who cares?) and the entr'act with "The Farmer and The Cowman" in it is so 1940's. My father told me that with a show like Oklahoma and On The Town when you hear the entr'acts you should put them in context and remember all the kids who saw these shows before shipping off to war, or back to Europe or off to the Pacific and the music takes on another dimension. Oklahoma was a must see for anyone coming into New York in 44 and 45, and I geuss it was the only show alot of those guys ever saw...
Now try and think of it in any other light.... dang....
The overture itself is so beautiful (and corny and camp but who cares?) and the entr'act with "The Farmer and The Cowman" in it is so 1940's. My father told me that with a show like Oklahoma and On The Town when you hear the entr'acts you should put them in context and remember all the kids who saw these shows before shipping off to war, or back to Europe or off to the Pacific and the music takes on another dimension. Oklahoma was a must see for anyone coming into New York in 44 and 45, and I geuss it was the only show alot of those guys ever saw...
Now try and think of it in any other light.... dang....
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451
http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883
http://www.broadwayworld.com/board/readmessage.cfm?thread=955158#3440952
http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915
http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622
http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699