CallMeAl2 said: "Also, not an overture per se, but a prologue: Richard Rodgers's Carousel.
In the same vein, Follies' prologue is brilliant, haunting, sweeping, grand, diminishing.... I could go on and on. And, of course, it plays straight into the actual overture, which, as far as I know, is the only overture to actually interact with the characters on stage (by adapting to character entrances).
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