Rodgers & Hammerstein: CAROUSEL; "What's the Use of Wond'rin"
Kander & Ebb: CABARET; Too many, but today I'll pick "Class" (CHICAGO) and "Yes" (70, GIRLS, 70)
Lerner & Loewe: MY FAIR LADY; "I Loved You Once in Silence" (CAMELOT)
Stephen Sondheim: SUNDAY IN THE PARK WITH GEORGE; Too many, but today I'll pick "Sorry-Grateful" (COMPANY) and "Someone in a Tree" (PACIFIC OVERTURES)
Andrew Lloyd Webber: JESUS CHRIST SUPERSTAR; "Another Suitcase in Another Hall" (EVITA)
Ahrens & Flaherty: A MAN OF NO IMPORTANCE; This changes often but today, "Alone in the Universe" (SEUSSICAL)
Alan Menken: LITTLE SHOP OF HORRORS; "Somewhere That's Green"
Boublil & Schonberg: Pass
Cole Porter: No favorite show, none of them hold up. I have a few favorite songs, one of which is "You're the Top" (ANYTHING GOES)
George Gershwin: PORGY AND BESS; "I Loves You Porgy"
Stephen Schwartz: PIPPIN; "West End Avenue" (THE MAGIC SHOW)
Charles Strouse: GOLDEN BOY; "Maybe" (ANNIE)
Bock & Harnick: SHE LOVES ME; "What Makes Me Love Him?" (THE APPLE TREE)
Jerry Herman: MAME; "Put On Your Sunday Clothes" (DOLLY)
Lin-Manuel Miranda: Two shows makes it seem early to assess to me, but I'm always moved by "Everything I Know" (IN THE HEIGHTS)
Schaiman & Wittman: Not enough output I know to assess in terms of stage work, but I was particularly taken with much of the score of MARY POPPINS RETURNS, particularly "The Place Where the Lost Things Go"
Frank Loesser: ...Now we're talkin'! THE MOST HAPPY FELLA; Too many but today I'll go with "Joey, Joey, Joey" and "I Believe in You" (HOW TO SUCCEED...)
William Finn: FALSETTOS; "14 Dwight Ave, Nattick, Massachusetts" (ELEGIES)
Pasek & Paul: To early to assess but "So Big, So Small" brings on the waterworks and is a really effective moment in that show
Leonard Bernstein: CANDIDE; "Something's Coming" (WEST SIDE STORY)
Jerome Kern: SHOW BOAT; "The Song is You" (MUSIC IN THE AIR)
Irving Berlin - ANNIE GET YOUR GUN; "I Got Lost in His Arms"
Galt MacDermot: Pass
Jule Styne: GYPSY; "Long Before I Knew You" (BELLS ARE RINGING)
Adler & Ross: Not enough work to assess, unfortunately, but between the two of their shows, DAMN YANKEES is my preference
Jeanine Tesori: FUN HOME; "Telephone Wire:
Bob Merrill - NEW GIRL IN TOWN, oddly enough; "Her Face" (CARNIVAL)
Jason Robert Brown - PARADE; "All the Wasted Time"
Meredith Willson - Even though the output is small... of course, THE MUSIC MAN; An incomparable score with so much to offer and so much I'm attached to, but today, "My White Knight"
Cy Coleman - LITTLE ME; I've been on a Cy Coleman kick lately, so I think I might pass for now. I want to pick too many songs!
Yeston: Big pass
David Yazbek - DIRTY ROTTEN SCOUNDRELS; "Here I Am"
Arthur Schwartz - A TREE GROWS IN BROOKLYN; "Love is the Reason" or "Make the Man Love Me"
Harold Arlen: None of the shows really hold up, but I just wanted to mention this brilliant, undersung songwriter. There are about a dozen songs of his I would pick-- "Ill Wind", "Buds Won't Bud", "I Wonder What Became of Me", "A Sleepin' Bee", and those aren't even from the movie songs scores he wrote! "The Man That Got Away", "One for My Baby", "Blues in the Night"
Frankel and Korie: GREY GARDENS; "Another Winter in a Summer Town"