Just curious what songs you love from shows that perhaps didn't do so well overall.
Evening Prayers from the legendary 1988 Broadway flop: Carrie.
Losing My Mimd from the legendary 1971 Broadway flop: Follies.
I've been going through a Darling of the Day phase and LOVE I've Got a Rainbow Working For Me. Who knew Vincent Price could be so damn precious?
LOL Jordon, was Sally Durant Plummer doing the song in mime?
JK. I love Losing My Mind, it's one of my favorite Sondheim songs.
Updated On: 5/4/13 at 12:30 AM
She was doing it without words because words weren't needed to convey her emotions. And at the end she farted just to let everyone know how through with it all she really was.
If you keep farting Jordon I think I'm gonna die! (Of laughter anyways.)
EDIT: Another song I love is Mr Cellophane from Chicago (The original 1975 production may not have been a flop but it sure didn't do well.)
Updated On: 5/4/13 at 12:37 AM
Broadway Legend Joined: 7/22/03
"Model Behavior" from Women on the Verge of a Nervous Breakdown.
"Beer" from "Is There Life After High School?".
Swing Joined: 1/25/13
I really love "I, to the World" from "Oh, Brother!" and "Model Behaviour" from "Women on the Verge of a Nervous Breakdown" :)
Swing Joined: 12/17/10
"Here's that rainy day" from "Carnival in Flanders" .... which closed after 6 performances.....
Broadway Legend Joined: 6/5/09
"Each Tomorrow Morning" fom Dear World. It was beautiful on stage.
Watch Me Begin - Bernadette
The Sun - Metropolis
World Without You - Children of Eden
Alone - Fields of Ambrosia (the song is so bad love it!)
Follies? Chicago? Come on we all love those. I nominate I will prevail from WONDERLAND lol.
Broadway Star Joined: 5/26/07
After Eight, can you explain why "Each Tomorrow Morning" was beautiful on stage? I'm always grateful to hear about the staging of numbers that haven't been preserved on video or film.
You, You, You from The Visit
It's Only Love/Bring On the Night from Metropolis
Eyes That Never Lie from Weird Romance
Someone Else Is Waiting also from Weird Romance
...and the score from Triumph of Love, which you might swear was a lost Sondheim score, but isn't.
Updated On: 5/4/13 at 06:44 AM
Hmmm. I'd go with:
"And Eve Was Weak" from CARRIE
"Go Back Home" from THE SCOTTSBORO BOYS
"I Will Never Leave You" from SIDE SHOW
"Petrified" from TABOO
"Model Behavior" from WOMAN ON THE VERGE OF A NERVOUS BREAKDOWN
Stand-by Joined: 7/6/12
"Other Side Of Pain" from the New Orleans version of WHITE NOISE
and [maybe it was just the staging] "When Love Is Inside You" from DANCE OF THE VAMPIRES
Broadway Legend Joined: 6/5/09
Chris,
I'm sorry I can't give you pinpoint specfics, but in general, in the old days, people knew how to make a production number "build," Gower Champion being a master of the craft. In the case of this song, it "built" wondrously. It was heaven on earth, or at least, on a stage. It started quietly with the Countess singing the song to Julien, followed by her whimsical musings, then little by little the chorus came in, the stage opened up to present a morning-fresh vision of Paris, radiant and enchanted, a charming dance ensued, and then, building to a crescendo, the chorus sang once again as bells tinkled in acompaniment to Jerry Herman's beautiful music and heartening lyrics.
The total effect of this number filled me with such elation- it coursed through my entire being. I was moved, enrapt, transported to a dear, wonderful world.
And now when I think back upon it, I can't suppress a tear.
Updated On: 5/4/13 at 08:22 AM
>> "The total effect of this number filled me with such elation- it coursed through my entire being. I was moved, enrapt, transported to a dear, wonderful world.
And now when I think back upon it, I can't suppress a tear."
Can this beautifully evocative and warm description of sentiment be coming from the same cranky, "get off my lawn" son-of-a...[gun] that consistently ruffles so many feathers?
hmmmmmm... I may have to rethink my opinion of you.
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"Love Me for What I Am" from In Trousers
Broadway Legend Joined: 6/5/09
Mr. Adams,
You're relatively new here, so I'll sum it up for you in a nutshell. The "get off my lawn " persona I've been saddled with here is a complete fiction invented by those who simply don't like my opinions.
Of course, they'll never admit that.
To cite another wonderful Jerry Herman song, "It's as Simple as That."
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