hey henrikegerman... thanks for opening the discussion. It’s just my opinion. I start again, love Sutton. But the idea of triple threat, especially involving dance over the years to me has been so cheapened. I know many dancers who feel this way in the broadway community. Leads aren’t REALLY dancing like some of the truly demanding dance roles before. Many broadway actors who I say are triple threats aren’t “stars”. Most of the real triple threats are standing by and understudying. Sorry but a battement, chainé turns and a split in “Show Off” and a timestep and shuffle in “Anything Goes” and surviving the “long number” doesn’t make you this excellent dancer. She ain’t auditioning for A Chorus Line or American in Paris. Sutton has just been among her contemporary peers the one who has repeatedly done more and better as a star because she does better in dance than her contemporary “star peers”. But I’ve never really seen her ever do anything truly technical or remotely difficult that every other chorus person behind her can’t do. People like Donna McKechnie, Chita, Debbie, Gwen, Ann Reinking, Bebe Neuwirth, Wanda Richert, etc were dynamites that did things you could never think anyone could do. Those days seem gone. Things just change.
Roles are no longer being written for true female lead dancers anymore. It’s sad to me. It’s just my opinion.
One person I am excited to see as the future goes is Ariana DeBose who seems to have it all. And I’m loving seeing the path of Adrienne Warren.
henrikegerman said: "Fro the sake of the argument, let's agree Sutton not "a dancer."
But if she isn't a dancer, who among her first tier contemporary peersis?"
Updated On: 1/12/20 at 11:25 PM