That's interesting because I thought I'd read somewhere that Michael Bennett didn't want Uptown Downtown to be cut, because the title gave him something around which to build the choreography: the dancers would dance up the steps to "Uptown" and down the steps to "Downtown".
I don't have my theatre books to hand to check, but would guess it would either be in the Zadan or the Gottfried books on Sondheim.
I think I read that detail about Uptown Downtown in Ken Mandelbaum's "A Chorus Line and the Musicals of Michael Bennett."
As for its accuracy, that I don't know. Like so much Follies minutiae, who knows what's apocryphal and what's not? I reread that book recently and I'm pretty sure in the Follies section Sondheim talks about how Michael Bennett wanted to avoid using songs that were written prior to his involvement (Bring on the Girls, etc).
I remember reading that Bennett wanted to keep Uptown Downtown because he felt there was a visual hook in the lyric.
PJ I've just caught up with the whole thread. Those clips are stunning! 'Follies' London was the show of my '20s though and I have a lot of sentimental attachment to it. My God, it must be time for another full London revival!
The clips PalJoey posted are amazing and I highly recommend them to anyone who's loved Follies and anyone who's ever wondered why so many love Follies.
They are going to be showing them tonight at Dancers over 40. It will be interesting to watch them with Bennett dancers who were in the original Follies, playing some of the younger ghosts.
Now, 30 years later, those dancers are the age of the older characters.
That popped up on YouTube for me yesterday, it's nice to be able to watch it. I've had issues with downloading files so I say the more footage the better.
I don't pretend to be knowledgeable about FOLLIES and frankly the minute details of this thread elude me. The only FOLLIES production that I know is the1987 London production starring Diana Rigg, Daniel Massey, Julia MacKenzie and the late Dennis Healy, with Dolores Gray, all of whom were superb. I loved the show. I guess ignorance is bliss, Mr. Sondheim and Pal Joey.
I saw the London FOLLIES when Eartha Kitt took over. All I really remember of it was the set that looked like a stack of pancakes and Kitt's incredible performance.
Has it ever been determined where the "dress rehearsal" footage comes from? It's clearly not Boston because changes had been put in, but the question remains if it's New York or L.A., yes?
Because having watched it a million times over, I am convinced that the voice of the conductor who says "We have to stop" in "Waiting For The Girls" is Paul Gemignani. He has a very distinct, gruff tone and I swear that's him. I know he took over conducting at some point during the run, so he probably conducted the tour and thus this footage is L.A. From what I've heard of Harold Hastings' voice on the "Company" OBC documentary it doesn't sound like him. And it's quite clearly the conductor talking. I swear it's Gemignani.
Also - since I've been on a "Follies" kick of my own lately (I'm so geeky I threw all the FIMiniature clips along with the full numbers and the dress rehearsal footage into iMovie and watched it all in show order - practically an hour of the thing is filmed! It's incredible.) that I impulsively ordered a used copy of "The Theatre Art Of Boris Aronson" off Amazon. It arrived the other day and it is absolutely beautiful. The "Follies" photos are truly amazing - there is one of the finale where you see the entire stage and audience and if I had a scanner I'd share it but I don't - but the entire book is amazing. "Company", "Fiddler", and "Cabaret" are amazing to look at in such detail.
But to see the "Follies" set so specifically photographed and then to go watch the footage gives you even more appreciation, especially for those of us who didn't see the original and have only that footage to rely on.