Frank Wildhorn just wrote the music for this. Unless he is self-producing, I can’t imagine anyone is going to pour money for a transfer of a show that couldn’t even finish a limited run in London.
Plus, he’s not exactly the most bankable composer stateside - he has international appeal, but Broadway seems to have washed their hands of him after two “flop-hits” (J&H and Scarlet Pimpernel) and one cult flop (Bonnie & Clyde)
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