windowwaving said: "Just saw Frozen in Detroit. I also saw it when the tour opened in LA and have seen it on Broadway.
It seems like they're already starting to remove some effects.
Some things I noticed:
- No ice spikes when Elsa accidentally reveals her powers at the coronation (just fog and light)
- No "Orlando" pop-up during "Summer" (replaced with postscard on screen)
- The crystals in Elsa's castle seem smaller - or at least less grand.
Otherwise, it's still in great condition. I'm sure no one else will notice and the production still feels big."
Also saw the show in Detroit. This was my first time seeing Frozen so I can't comment on the scenic changes. However, the person I went with commented that the scenic design saved the show for her and wondered when the last time we got a show with a set like that touring. Since we usually get second year tours (at least pre-covid) they've usually downscaled by then and I had to really think on that point too.
My main gripe with the show was the sound design. Whenever the ensemble sang I could barely make out what they were singing. Ever since covid I feel there has been a significant decline in sound design across the board both in NY and on tour. I never used to have these problems. Strange Loop, Sweeney, Les Mis tour, Frozen all stand out to me as examples, but of course there's more.
I can forgive the kids since this is very much a family show, but what I can't forgive are the parents behind me talking through the whole thing. Pointing stuff out to their kids when the kids aren't talking. Not taking a screaming baby out of the theatre. Shame on parents who know better.